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1)  Wu Wa moutain airs
呜哇山歌
2)  What are you hooroaring at?
呜哇个什么?
3)  Wahongshan
哇洪山
4)  Folk song
山歌
1.
Exploration of Guizhou Tun Pu Folk Songs——in Comparison with Buyi national minority folk songs;
贵州屯堡山歌探析——与布依族山歌比较
2.
Artistic generality of paper-cut and folk song in the north Shaanxi;
陕北剪纸与山歌的艺术共性
3.
The folk song of Huayao,a special branch of Yao Minority(one of the fifty-five minorities in China),enjoys not only great significance in Chinese history and art but also special function in the life of Huayao people.
花瑶山歌不但具有极高的历史价值和艺术价值,而且在花瑶生活中具有独特的实用功能。
5)  folk songs
山歌
1.
The auther firstly points out that as the outcome merging form the Chinese Centure with its local one,the Hakkas folk songs of Jaing Le county bears its unique musical style.
将乐客家山歌作为中原文化和本土文化相融合的产物,具有自己独特的个性风格,文章就将乐客家山歌的形成、类型与词曲特点进行一番初浅的探讨。
2.
"Liuzhou style"should be done in order to create folk songs of Liu Sanjie folk culture as the core brand,incorporate rich Guangxi folk culture elements,build a hundred miles of the city as the center Liujiang tourism clusters.
"风情柳州"应以打造柳州山歌这一刘三姐民俗文化品牌为核心,融入桂中地区丰富的民俗文化元素,构建百里柳江为中心的城区旅游集群,在促进旅游产业发展的同时,促进桂中非物质文化遗产的保护与传承。
6)  ShanGe
山歌
1.
Narrative Perspective in ShanGe of FENG Meng-long;
冯梦龙《山歌》的叙事视角
2.
In the late of Ming Dynasty, Feng Menglong had collected an abundance of Love Songs and had edited ShanGe.
在封建社会里,主流文学中的女性一直处于失语的境地,晚明冯梦龙所编的《山歌》中收集了大量的私情歌谣。
补充资料:跨金鸾 呜鹤余音卷四
【诗文】:
锦堂春,琼仙朝列琼筵。遇良辰、名香共*,吐氤氲、瑞蔼祥烟。庆三真、重阳五祖,愿当今、圣主遐延。昔有轩辕。驾龙腾飞、上朝玉帝自争先。恁时万圣齐会,宴赏共留连。箫韶美,金童捧盏,玉女传宣。观神宫、仙苑异景,降鸾凤、鹤舞翩翩。仙童报,蟠桃正结,丹桂初圆。万载金龟,千秋玉兔,老人星见,庆这些事,洞天佳景,还也胜尘缘。无来去,天地同寿,日月齐年。


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