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1)  immortal theme
神仙题材
2)  the fairy literary theme
游仙题材
1.
The undulation and secularization trend of the fairy literary theme is corresponding relationship with the development path of rational spirit in the history of China.
游仙题材在唐前沿着两条路径前行,经过秦汉的低伏,汉末魏晋的高涨,至东晋以后而渐趋边缘化。
3)  theme of gods and spirits
神怪题材
4)  myth subject matter
神话题材
1.
Centred on Lu Xun\'s historical novels of myth subject matter in New Edition of Stories,the paper analyzes the complex relations between modern Chinese myth and history to identify the nature of text.
以鲁迅《故事新编》中主要取材于神话传说而创作的神话题材历史小说为中心,通过分析中国神话与历史之间存在的复杂关系,确定此类小说的文本性质;考察了鲁迅文化关注的独特层面——文化停滞面,从《故事新编》中神话题材与非神话题材所呈现出的正反文化态势中,进一步确定鲁迅神话题材历史小说对文化停滞面的基本关注向度,并且在此基础上结合叙述方式等综合因素,具体探讨神话本体、文化停滞面与无时叙述之间存在的关系以及二者对无时叙述方式产生的影响与作用。
5)  immortals [英][i'mɔ:tl]  [美][ɪ'mɔrtḷ]
神仙
1.
"Socialization" and "Secularization" of Taoist Immortals in the Popular Stories during the Ming and Qing Dynasties
明清小说中神仙形象的“社会化”与道教的“世俗化”
2.
The stories of immortals recorded in Tai Ping Guang Ji took place mostly during the Han(202BC-220) and Tang(618-907) periods,and chiefly in the middle and lower reaches of the Huanghe River,an area where most of the ancient emperors ruled.
《太平广记》神仙故事中神仙活动的时代主要分布在唐代和汉代,地域主要集中于帝王活动密集的黄河中下游地区,这种时空分布特点与现实中帝王对神仙思想或道教的有意倡导有着密切的关系。
3.
Relationship between immortals and mortals in the novels during Han Wei and Six dynasties underwent a gradually transforming process.
神仙与凡人的关系在汉魏六朝志怪小说中经历了一个逐渐转变的过程。
6)  immortal [英][ɪ'mɔ:tl]  [美][ɪ'mɔrtḷ]
神仙
1.
Sima-xiangru s thought has some Taoism and immortal element;
司马相如的道家与神仙思想
2.
From the time of Wei-Jin dynasty, due to the attack and use of contemporary ruling class, the early-staged Taoism of Han dynasty began to be polarized into immortal Taoism believed by the upper classes and the civil Taoism accepted by the folk people.
从魏晋时起,道教由于受当时统治阶级的打击和利用,由汉末的早期道教开始分化为上层神仙道教和下层的民间道教。
3.
The Taoist belief of immortals is closely related with the Chinese folk beliefs.
道教神仙思想与中国民间信仰有着天然的紧密联系。
补充资料:"列宁题材三部曲"
      见Н.Φ.波戈廷。
  

说明:补充资料仅用于学习参考,请勿用于其它任何用途。
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