1) pattern of infinity
淡然无极
1.
It represented tendency of poetry,savor of enjoyness and pattern of infinity,and showed the inimitable light of Chinese classical aesthetics with specific oriental style of animation.
它具有诗意抒情之趋向,写意韵致之品藻,淡然无极之格调,以极具东方风韵的动画风格凸显出独特的中国古典美学特征。
2) detached and simple
超然淡泊
1.
His life philosophy of advocating nature, detached and simple realm of life and his free and swift aesthetic ideal are just the poetic display of Zhuangzi s philosophy of life.
他崇尚自然的生命哲学、超然淡泊的人生境界、自由飘逸的美学理想正是庄子人生哲学的诗意显
3) plain and natural
平淡自然
1.
Su Dongpo put forward the theories of writing called "expressing oneself clearly" and "being plain and natural" after being exiled to Lingnan, which greatly developed Chinese poetic theory.
苏东坡贬寓岭南后,提出了“辞达”和“平淡自然”的创作理论,发展了我国的诗学理论,并用平淡自然的笔法赞美岭南山水和淳朴的民风,创造了一种新诗体——和陶诗。
4) tranquil and natural
闲淡自然
1.
The style of scholars and their works in East Jin Dynasty,which is totally different from that of West Jin Dynasty,is tranquil and natural.
东晋士风文风表现出闲淡自然的形态,与西晋的士风文风完全不同。
6) belle indifference
泰然淡漠
补充资料：无极
中国古代哲学概念。原指无穷、无限之意。《老子》说："复归于无极"。魏王弼注说，"不可穷也"。北宋周敦颐得道士陈抟《无极图》而颠倒其次序，作《太极图说》，提出"无极而太极"，以无极为最原始的本原。南宋陆九渊说,"无极二字,出于《老子知其雄》章，吾圣人之书所无有也"。并认为以"无极"加于"太极"之上,乃是"叠床"、"架屋"。朱熹对此辩解说,"无极二字,乃是周子灼见道体",是指"无方所、无形状"、"无声臭影响之可言"。并说"无极而太极，是就无中说有"，而不是在"太极"之上"别有一物"。周敦颐对于所谓"无极"的意义以及"无极"与"太极"的关系，没有明确的解释，因而后人对之有不同的理解。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条