1) cultural opinions
文化言说
2) Classical Chinese novel
文言小说
1.
It is Wang Tao s classical Chinese novel that reflected the intellectual s such special psychology in the period culture transformation.
王韬的文言小说正是反映了文化转型时期知识分子的这种特殊心态,他在妇女观、婚姻爱情观、科举观等几个方面都体现出经过了西方文化洗礼的崭新的价值观念,但同时对传统文化仍然藕断丝连。
2.
In the early period of classical Chinese fiction, "collecting"and"compiling"which appear in classical Chinese novel are just equivalent to"inquiring folks which comes forth in collecting poetry", so"collecting"is also of great significance to the emergence of classical Chinese novel.
“采”对于“诗”具有发生的意义,文言小说早期之“缀”、“采”与“采诗”之“求诸野”在方式上是相通的,故“采”对于文言小说也具有发生的意义。
3) novels written in classical Chinese
文言小说
1.
Talented fox-maiden stories in the novels written in classical Chinese in Qing Dynasty,which are characteristic of contemporary civilization.
“诗狐”故事是清代文言小说中大量出现的一类极具近代文明色彩的人狐恋故事,其角色、情节、主题等多个文学因素都具有十分独特的性质。
2.
The new light the academic circle casts on the Mandarin Duck and Butterfly School", a modern literary school, provides us a fresh academic background for the renewed evaluation of Ye Shengtao s novels written in classical Chinese.
学术界对“鸳鸯蝴蝶派”的重新认识 ,为我们重新评价叶圣陶文言小说提供了新的学术背景。
4) classical Chinese novels
文言小说
1.
The narration of monsters, ghosts and supernatural beings is the main subject of ancient classical Chinese novels.
称灵道异、张皇鬼神是古代文言小说的主要题材内容,神仙考验型作品是其中的一个别具特色的叙事 范型。
2.
There is obvious difference between the classical Chinese novels and the vernacular novels, the main difference is that the former used to see from more neutral narrative angle and first personal narrative angle.
中国古代文言小说的叙事角度与白话小说有着明显的区别 ,这主要表现在前者更多地使用“中立型叙事视角”和“第一人称叙事视角”进行叙事。
5) contradiction between speaking and meaning
文学言说
1.
However,not only does the contradiction between speaking and meaning reflect the fact that what to mean is hard to be transformed into language of communication,it at least consists of three forms rich meaning and poor language determinacy of language meaning hiding from conveying meaning language existing earlier than individual confining .
言说体验之境并显示其中蕴涵的人生意义,既是文学言说的追求所在,也是文学言说的困境所在。
6) classical novel
文言小说
1.
At the same time,classical novels is drying out gradurly.
宋元时代是小说史上一个继往开来的阶段,这是以话本为基础的白话小说开始发达的时代,也是以史传为渊源的文言小说走向衰微的时代。
2.
Literary sketchbook appeared earlier than many kinds of Chinese classical novel and it ran through the Chinese classical novel development, is a oldest and most basic novel style.
所谓笔记体小说,是一种惯以简短隽永的话语方式记录现实人物、鬼神精灵乃至拟人的动植物与器物,有一定故事性的小说文体,是中国古代文言小说中的一类。
3.
This paper is on the foundation of forefathers’research results, which takes the students of classical novels in Qing Dynasty as the object of study, and begins with students\' existence condition,so the paper is divided into three chapters.
本文在前人研究的基础上,以清代文言小说中的书生为研究对象,从书生的生存状态着手,全文分为三章。
补充资料：四家大乘四种言说
【四家大乘四种言说】
（名数）释摩诃衍论所说五种中，以前四配于四家大乘，以第五如实言说为真言。一相言说，为法相宗。彼依深密经之法相品而立名，即立三科百法等相，约于三性以明宗也，今就色等诸相而起言说，尤为符合。二梦言说，为三论宗。彼之言意，三界如梦，一切所有之所作皆为梦中所作，若一念之梦觉，即为无生法体，依此义以建立真俗二谛而成一宗之义。故与梦言说之义相当。三执著言说，为天台宗。彼宗谈久远寿量之旨，为本门之实义，谓教主释尊之始于伽耶成佛，是尔前诸教之意，实说成佛已来甚大久远，是乃一经之冲微，今解执著言说为本所闻所作业，尤为相当。四无始言说，为华严宗。彼宗专谈本有称性之旨，故彼宗云修行亦竟成佛亦竟，一切众生久来如此，是与今无始言说之义相叶也。见二教论果宝十上。
（名数）释摩诃衍论所说五种中，以前四配于四家大乘，以第五如实言说为真言。一相言说，为法相宗。彼依深密经之法相品而立名，即立三科百法等相，约于三性以明宗也，今就色等诸相而起言说，尤为符合。二梦言说，为三论宗。彼之言意，三界如梦，一切所有之所作皆为梦中所作，若一念之梦觉，即为无生法体，依此义以建立真俗二谛而成一宗之义。故与梦言说之义相当。三执著言说，为天台宗。彼宗谈久远寿量之旨，为本门之实义，谓教主释尊之始于伽耶成佛，是尔前诸教之意，实说成佛已来甚大久远，是乃一经之冲微，今解执著言说为本所闻所作业，尤为相当。四无始言说，为华严宗。彼宗专谈本有称性之旨，故彼宗云修行亦竟成佛亦竟，一切众生久来如此，是与今无始言说之义相叶也。见二教论果宝十上。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条