1)  spirit-aesthetics
意识美学
1.
In traditional west vision,aesthetics was spirit-aesthetics based on subject-object split,so modern spirit-aesthetics is subject to subjective aesthetics.
西方传统美学是意识美学,它以主客对立的二元设定为哲学基础,因而近代意识美学是主体性美学。
2)  Consciousness
意识
1.
A Tentative Analysis to the Ancient Chinese Greening Consciousness on Mount Taishan;
略论古人的泰山绿化意识
2.
Analysis on the Relation between the Consciousness Recovery and Physical Security for Abortion Patients after Anesthesia with Propofol and Fentanyl;
麻醉镇痛人工流产术后意识恢复与人身安全关系的分析
3)  Awareness
意识
1.
Further Enhancement of Awareness of Preserving the Biological Evidence;
进一步加强生物物证检材保全的意识
2.
The investigation of children awareness of eye disease in Changji prefecture in Xinjiang.;
新疆昌吉地区儿童眼病意识调查分析
3.
On the Awareness of Landscape Architecture and Architectural Landscapes;
试论建筑的景观意识与景观的建筑意识
4)  sense
意识
1.
Discussion on the five kinds of senses of the assistant manager in nursing department;
护理部助理员应具备的5种意识
2.
Developing education and establishment of five senses for police;
养成教育与牢固树立公安民警的五种意识
5)  conscious
意识
1.
The Effect of Unconscious Retrieval in Sentences Context;
句子语境信息下无意识贡献的作用机制
2.
The follow five aspects,which include improving quality,strengthening two conscious,grasping three taches,consolidating four measures and doing five things industrious,can give useful guidance to actual supervision.
只有从抓住一个中心、增强两大意识、把握三个环节、强化四个手段、做到五个勤字这五个方面入手,才能做好监理工作。
6)  IT consciousness
IT意识
参考词条
补充资料:《当代西方电影的美学思想》
      中国电影理论专著。李幼蒸著。中国社会科学出版社1986年出版。全书分《绪论》、《电影语言》、《电影表现与现实》、《电影"作者"、作品与观众的结构分析》、《反传统电影潮流》和《先锋派电影的实践与理论》 6章21节;介绍了当代西方电影美学研究的重要发展和面临的基本问题;论述了60~70年代西方主要电影美学理论,特别是结构主义和符号学电影理论的基本概念和观点,还涉及电影中的科学研究、哲理表达等问题。
  

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