1) Language
民间歌唱
2) folk
民间
1.
Folk Characters and Sacrifice Function on The Grievance of Dou E;
《窦娥冤》的民间品格与祭祀功能
2.
Intellectual Writing Under the conspiracy of Folk and the Temple——Analysis the Significance of the Text Production of"The White Hair Girl";
民间与庙堂共谋下的知识分子写作——《白毛女》文本生成意义探析
3) among the people
民间
1.
Under official mobilization,some families among the people had promoted the establishment of the social storehouse through donating superfluo.
建立一个民间仓储体系,以便削平丰年歉岁之间的食物供应波动,为日益增长的人口提供稳定可靠的食物保障,有赖于官方的倡导。
2.
During the period of Qing and Han Dynasties, the crime of harboring criminals among the people was very serious.
秦汉时期民间匿奸犯罪的问题十分严重,其类型多样、原因复杂,深刻地影响着当时的社会生活。
4) civilian
民间
1.
The two central themes in novels by Bi Fei-yu are his examination and thoughts of the "enlightenment" discourse and the order in "civilian" living.
对“启蒙”话语及“民间”生存秩序的考察与思索是毕飞宇小说的两个中心主题。
2.
Jiangnan social charity in Song Dynasty was very advanced,it incarnated concertratively the prosperity of both the official and the civilian charity.
宋代江南地区社会慈善事业的发达,集中体现在官方慈善事业的繁荣和民间慈善事业的勃兴两个方面。
3.
After the 90s,novels of Li Rui and Han Shaogong which deal with the Culture Revolution reflect the history from the view of civilians.
20世纪90年代以后李锐、韩少功的“文革”题材小说以民间视角来反思“文革”历史,具有双重意义内涵:民间苦难与民间伦理是对“文革”意识形态高调的戳穿与消解,民间的藏污纳垢、愚盲昏昧又使之成为“文革”专制和迷信的基础和土壤。
5) civil
民间
1.
Early Qing Dynasty Study of the Zhejiang Civil Disaster Relief;
清前期的浙江民间赈灾研究
2.
The authors made an investigation on non-profit organization in Xiaogan city and the results indicated that there are rarely real civil non-profit organizations in our country,and need to be developed.
并以孝感市非赢利组织调查为例,重点说明我国真正的民间非赢利组织很少,亟待发展,同时提出发展真正的民间非赢利组织的九点建议。
3.
Since there was little record about the civil ethnic marriages in the formal historical records and the law in Tang dynasty attached too much importance to judicial rules and regulations and was not quite matched with the real life, the author thinks that Tai Ping Guang Ji, the biggest volume in history, which contains legends, autobiography, novels, etc.
由于正史中有关民间民族间自由通婚的记述乏善可称 ,而唐律的规定又过于法律化 ,与现实生活并不完全对等 ,现存汇辑野史传记小说诸家的最大一部类书《太平广记》中的丰富文献史料可补正史之不足。
6) folks
民间
1.
The thesis connected with the association between Zhang cheng-zhi and folks,and the feature that his writing increasingly depicted people in bottom,clarifies the concrete meaning and significance of "folk" for Zhang cheng-zhi,then band his life reality and folks together from bottom,belief and walking three aspects.
本文对张承志与民间的紧密联系及其作品越来越多地描绘底层民众的特色进行了探讨。
2.
From the courtesy and setbacks received by Buddhism among aristocracy before the transforming,this article describes the development of Buddhism in folks during this period and the flourishing of Buddhism among folks after the collapse of the Tubo regime.
吐蕃时期佛教的传播和发展经历了由宫廷到民间的转向过程。
3.
Though the reasons are complicated for the rise and fall of ancient poems, a decisive factor is the relationship between the poems and the folks.
古典诗词的兴衰尽管有其复杂的原因 ,但其中起着决定性的则是其与民间所保持的距离。
参考词条
补充资料：歌唱者常见喉病
歌唱演员、戏曲演员以及话剧演员发生的喉病。喉病的种类很多，这里是指职业性喉病。其病理生理多由发声使用过度或用声方法不当，引起喉部发声运动过度，声带粘膜产生创伤性病理反应，急性反应为声带充血、水肿，甚至微细血管破裂粘膜下出血；慢性反应则产生小结、息肉和粘膜肥厚等增生性病变。也有的是由于声带肌肉劳损产生发声运动不足引起声门闭合不良。
职业性喉病约分 4类：①声带炎症。多属于非感染性炎症，有急性和慢性之分。急性声带炎多由歌唱时间过长和猛唱高音以及演唱力所不及的歌曲所致。声带表现充血、水肿和分泌物增多，发病轻的声音变暗，重的音哑或突然失声。慢性声带炎则是长期发声运动过度和反复发生急性声带炎的结果。声带呈慢性充血，粘膜微细血管扩张和声带粘膜粗糙肥厚，发声不亮或长期沙哑。②声带小结和息肉。由于发声运动长期过度，声带边缘产生增生性病理变化。声带小结又叫歌唱者小结，多发生在高音歌唱者。在声带边缘前中三分之一交接处，增生左右对称性小结样突起。声带息肉多发生在用尖声过度的演员，多为声带单侧边缘增生广基性或带蒂性息肉组织块。③声门闭合障碍、声门各种形式闭合不良。最常见的是喉肌弱症又叫发声无力症，是由发声运动长期过度，喉肌劳损、肌张力减弱引起声门闭合不良。症状表现发声无力，发声不持久，检查可见声门呈梭形闭合不全。④心理性发声障碍。可分两种：原发性心理性发声障碍。由精神、心理原因直接引起,如癔病性失音,在演员中较少见。继发性心理性发声障碍，在演员中较常见。大多数患者声带多少有一点病变，对发声影响不大，但由于精神紧张，甚至局部病变已经治愈，患者仍然发声不良。
职业性喉病约分 4类：①声带炎症。多属于非感染性炎症，有急性和慢性之分。急性声带炎多由歌唱时间过长和猛唱高音以及演唱力所不及的歌曲所致。声带表现充血、水肿和分泌物增多，发病轻的声音变暗，重的音哑或突然失声。慢性声带炎则是长期发声运动过度和反复发生急性声带炎的结果。声带呈慢性充血，粘膜微细血管扩张和声带粘膜粗糙肥厚，发声不亮或长期沙哑。②声带小结和息肉。由于发声运动长期过度，声带边缘产生增生性病理变化。声带小结又叫歌唱者小结，多发生在高音歌唱者。在声带边缘前中三分之一交接处，增生左右对称性小结样突起。声带息肉多发生在用尖声过度的演员，多为声带单侧边缘增生广基性或带蒂性息肉组织块。③声门闭合障碍、声门各种形式闭合不良。最常见的是喉肌弱症又叫发声无力症，是由发声运动长期过度，喉肌劳损、肌张力减弱引起声门闭合不良。症状表现发声无力，发声不持久，检查可见声门呈梭形闭合不全。④心理性发声障碍。可分两种：原发性心理性发声障碍。由精神、心理原因直接引起,如癔病性失音,在演员中较少见。继发性心理性发声障碍，在演员中较常见。大多数患者声带多少有一点病变，对发声影响不大，但由于精神紧张，甚至局部病变已经治愈，患者仍然发声不良。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。