1) translation of French-Chinese poetry
法汉诗歌翻译
1.
"Re-creation" is an essential means of the translation of French-Chinese poetry,but the different forms of creation formed the creation style of faith,sacrifice and treason in translating French-Chinese poetry.
"再创造"是法汉诗歌翻译中必不可少的手段,而不同的创造形式,又形成了法汉诗歌翻译中忠实性、牺牲性、叛逆性的创造风格。
3) On English-Chinese Poetry Translation
论英汉诗歌翻译
4) poetry translation
诗歌翻译
1.
On Fuzziness in Poetry Translation;
浅议诗歌翻译中的模糊现象——兼谈诗歌译者的可视性
2.
On the importance of image transferring in poetry translation;
论意象的传递在诗歌翻译中的重要性
3.
Further study into foreignization as the poetry translation approach——Analysis on the Four English Versions of Shui Diao Ge Tou;
诗歌翻译异化法的探微——宋词《水调歌头》四种英译本的比较研究
5) the translation of poetry
诗歌翻译
1.
The paper mainly examines the definition and the classification of the Theory of Intertextuality and the relationship between intertextuality and the translation of poetry,explores the application of intertextuality in poetry s rhythm and imagery.
本文探讨了互文性理论的概念、分类及其与诗歌翻译的关系,探讨了互文性在诗歌音韵和意象传递中的作用。
6) poem translation
诗歌翻译
1.
Notion of "Transformation" in poem translation ——Commentary on WANG Zuo-liang s translation of A Red, Red Rose;
诗歌翻译与“化境”论——兼评王佐良的A Red,Red Rose英诗汉译
2.
The reproduction of images is the obstacle in Chinese ancient poem translation into English.
诗歌翻译的最大障碍在于意象的传达。
补充资料：大川（法炯）（唐汉州栖贤寺）《宋高僧传》卷第二
【大川（法炯）（唐汉州栖贤寺）《宋高僧传》卷第二】
十释大川。不知何许人也。沉默自居节操弥厉。戒无竁穴言不浪施。于汉州栖贤寺行四圣种法。克苦既增川也其乐也泄泄。绵竹之人无夙少率皆宗奉。及乎终也卧于寺外白衣具床榻相率舁归寺中。务营丧礼。方当尸举无何双鹿引前若驺导焉。始履门阈。寺额奋然陨地远近惊叹。又此山灵异不容粗鄙。有僧深藏者。不谨愿。多所违犯。神人掷于山下可七里许。唯伤足指。从此无不悛革守戒者。大历初北山变成黄金色。上有楼阁菩萨行道。斯须之间万形千状。川素居此寺与地俱灵。留影供养如事灵祠焉。次闽城法炯者。未详何许人也。行头陀法克苦克勤。激劝闽人辞气刚直。闻海坛练门江内有巨钟。相传云。昔有人往广州慕铸信鼓。巨舰至此忽值风涛沉溺。每月望日其潮大至。水退其蒲牢乃出。可容一人。从中穿过约其周围径一丈余。大历中炯欲出此钟。先于开元寺设大会斋。诵咒令一小僧诣龙宫乞钟。于人世击扣以警晨昏。小僧见海神曰。我惜以镇海。别与小珠三颗为信。当尔时小僧有如梦觉。珠在手焉。
十释大川。不知何许人也。沉默自居节操弥厉。戒无竁穴言不浪施。于汉州栖贤寺行四圣种法。克苦既增川也其乐也泄泄。绵竹之人无夙少率皆宗奉。及乎终也卧于寺外白衣具床榻相率舁归寺中。务营丧礼。方当尸举无何双鹿引前若驺导焉。始履门阈。寺额奋然陨地远近惊叹。又此山灵异不容粗鄙。有僧深藏者。不谨愿。多所违犯。神人掷于山下可七里许。唯伤足指。从此无不悛革守戒者。大历初北山变成黄金色。上有楼阁菩萨行道。斯须之间万形千状。川素居此寺与地俱灵。留影供养如事灵祠焉。次闽城法炯者。未详何许人也。行头陀法克苦克勤。激劝闽人辞气刚直。闻海坛练门江内有巨钟。相传云。昔有人往广州慕铸信鼓。巨舰至此忽值风涛沉溺。每月望日其潮大至。水退其蒲牢乃出。可容一人。从中穿过约其周围径一丈余。大历中炯欲出此钟。先于开元寺设大会斋。诵咒令一小僧诣龙宫乞钟。于人世击扣以警晨昏。小僧见海神曰。我惜以镇海。别与小珠三颗为信。当尔时小僧有如梦觉。珠在手焉。
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参考词条