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1)  grace and restraint
婉约性
2)  Graceful and Restrained
婉约
1.
The Chinese poetic genre by SuShi put blod and unconstrained first , graceful and restrained second.
苏轼以豪放为主,以婉约为辅,锻造了一代词宗。
3)  gracefulness
婉约
1.
Generally speaking,in william Yip s poetry,tradition and modernity are melted in one furnace and magnificence and gracefulness are shining on each other.
叶维廉的作品,其风格总的说来是传统与现代熔于一炉,雄浑和婉约交相辉映。
2.
The article suggests that in Song Ci the unconstraint school and the gracefulness school represent respectively the tradition of the Confucianist utilitarianism and that of the Taoist non-utilitarianism and contain the esthetic nature of “spirit” and “charm” implied in Chinese poetry.
通过对宋词中豪放词与婉约词的探究 ,认为其分别代表了中国诗学史上的儒家功利主义和道家非功利主义两种诗学传统 ;蕴含着“气”和“韵的和谐美的两种诗美形态。
4)  graceful [英]['ɡreɪsfl]  [美]['gresfəl]
婉约
1.
Discuss again Song-Ci divide graceful,uninhibited reasonability;
再论宋词分婉约、豪放之合理性
2.
But in his poems there are also themes about love and parting,written in very graceful and gentle style,with the flavour of being fresh and beautiful.
但苏词中还有一批叙写儿女私情、离愁别恨之作,婉约柔美,纤丽清新,别有一番风情。
5)  Wanyue
婉约
1.
Some of Su Shi s verses are classified to the class of "Wanyue".
苏轼被归入婉约词的部分作品,其风格并非典型婉约词风,应称为沉郁词才较为准确。
2.
Ever since ZHANG Yan of the Ming dynasty put forward the division of the Wanyue, Haofang, the different ideas have kept coming out.
宋词流派的划分问题是词学界长期论争而至今圆未尚满解决的一个基本理论问题 ,自从明代提出婉约、豪放之分后 ,不同的说法纷纷出现。
3.
In the history of the Ci\'s development, the Wanyue and Haofang category stand for two humanoriented aesthetic interest.
“婉约”与“豪放”范畴,在词史的发展上代表了词创作的两大不可偏废的审美趣尚。
6)  euphemism [英]['ju:fəmɪzəm]  [美]['jufə'mɪzəm]
婉约
1.
Though they belong to euphemism, their main theme is made up of his vehement and sorrowful thinking about motherland, his complaints about his great will which was difficult for him to realize and his lingering and gentle feelings for the world, and so his poems look more heroic.
辛弃疾的送别词是辛词的重要组成部分,虽属婉约一类,但慷慨悲昂的家国之思、壮志难酬的不平之怨、缠绵温润的人间真情构成其主旋律,因而又平添了几分豪气。
补充资料:婉约派
婉约派

    中国宋词流派。明确提出词分婉约、豪放者,一般认为是明人张詅。婉约,即婉转含蓄。词本为合乐而歌,娱宾遣兴,内容不外离愁别绪,闺情绮怨。五代即已形成以《花间集》和李煜词为代表的香软词风。北宋词家承其余绪,晏殊、欧阳修、柳永、秦观、周邦彦、李清照等,虽在内容上有所开拓,运笔更精妙,并各具风韵,自成一家,但仍未脱离宛转柔美之风。故明人以婉约派来概括这一类型的词风。其特点主要是内容侧重儿女风情,结构深细缜密,音律婉转和谐,语言圆润清丽,有一种柔婉之美。但内容比较狭窄,人们形成了以婉约为正的观念。婉约词风长期支配词坛,直到南宋,姜夔、吴文英、张炎等大批词家,皆受影响。
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