The process and formulations of flat-screen printing for making Chinese paintings on non-woven fabric are described.

This thesis summarized the characteristics of Chinese painting’ brush and ink effect bycomparing with the applying of ceramic painting’s pigment, showing the applying and affect to ceramicpainting art, it also provided ceramic artists with some available theoretical instruction when they makingcreations.

Up till now much passiveness has still existed in the teaching of Chinese painting in the universities.

The author of this paper summarizes,from the angles of national culture and visual transmission,the artistic experience in traditional Chinese paintings,which includes form experience,aesthetic experience and thinking experience.

In teaching traditional Chinese painting,the traditional line drawing focuses mainly on the representation of line and little on object.

The author here explores the three stages of its style form and its impact upon teaching o f traditional Chinese paintings.

The basic form to demonstrate the traditional Chinese paintings is the line, which implies very deep cultural spirits, aesthetic ideas and philosophic thoughts.

Computer color recovery system for traditional Chinese painting;

Rapid and Non-Destructive Identification of Calligraphies by Fourier Transform Infrared Spectroscopy and Fourier Transform Raman Spectroscopy;