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1)  aesthetic orientation
审美取向
1.
Aesthetic Orientation in the Construction of Protected Historic Sites——The Planning and Construction Design of Yancheng Historic Relics Park;
历史保护区建设中的审美取向——淹城遗址公园规划设计
2.
Aesthetic Orientation of Image Construction of Lyrical Text;
抒情文本意象建构的审美取向
3.
Different narrative versions demonstrate distinct aesthetic orientation and readers choosing,so render the readers multi-artistic experiences.
分析了不同创作主体面对时代和历史视野中的艺术资源所进行的审美性择取、融合及再创造,不同的叙述版本展现出了不同的审美取向和接受定位,从而给受众以多元的艺术感受。
2)  Aesthetic tropism
审美取向
1.
Investigation of college girl students physique aesthetic tropism;
女大学生形体审美取向的调查与分析
2.
Being established in Chinese Syllabus of Middle School,the article put forward the reforming derection of teaching chinese classical style of writing from two aspects of teacher and student namely to attach importance to aesthetic tropism.
文章立足于中学语文教学大纲,从师生两方面,提出文言文教学的改革方向,即注重审美取向,并根据教学经验提出了文言文教学注重审美的具体方法。
3.
Epigraph Cai Yong writing and sizing up personality of Wei and Jin have the same aesthetic tropism, coming down in one continuous line.
蔡邕撰写的碑文和刘邵的《人物志》,分别是人物品鉴的文学显现和理论总结,蔡邕的碑文和魏晋时期人物品鉴具有一致的审美取向,二者一脉相承。
3)  aesthetic tendency
审美取向
1.
In Song dynasty,the image of willow made a large development not only in the aesthetic tendency but in its cultural meaning.
重点讨论宋词中杨柳意象所体现的不同审美取向,以及它所积淀的深厚文化内涵,以期从一个新角度,对柳意象得出更全面、更深入的认识。
2.
This paper recounts the aesthetic tendency and reasons of Si Maqian s preferring peculiarity in the character portrayal in his book "Historical Records".
本文试从司马迁《史记》选择历史人物的原则之奇,塑造人物手法之奇,历史人物入选体例之奇,突出人物性格的故事情节之奇,所塑造的人物之奇等几个方面论述司马迁塑造人物爱奇的审美取向及其爱奇的原因。
3.
The aesthetic tendency of the civilian kiln s porcelain in Song Dynasty was embodied in the combination of functional quality and artistic quality of the porcelain, the shapes, the techniques and the themes of ornament.
民瓷实用性与艺术性的结合,以及器物造型、装饰手法和装饰题材都体现了宋代民窑瓷器的审美取向
4)  aesthetic standard
审美取向
1.
This paper gives an explanation that based on the respect for tradition, modern batik art should be enriched and transcended in the aspects of aesthetic standard, deep meaning of design and color performance, in order to show its unique artistic charm.
本文阐述了现代蜡染艺术要在尊重传统的基础上,从审美取向、图案内涵及色彩表达等诸多方面加以充实和超越,使蜡染艺术更好的表现出其独有的艺术魅力。
2.
Although Liu Zheng s Ci aims at "blending the style of Su Shi and Xin Qiji", his aesthetic standard is not to revive the old, but to creat the new; not to worship the ancient, but to surpass the forefathers.
前期亮丽,后期沉郁;刘征词以“熔冶苏辛”为其审美取向,得苏之“清”而得辛之“壮”,故其审美品格为“清壮”;自苏辛入而由苏辛出,扬其长而避其短,故刘征词审美取向之心理机制不在复古,而在创新,不在膜拜,而在超越。
3.
As many music fu contains content of sadness,when expressing the music through the media of literary,authors of music fu usually used the description of visual scenes and atmosphere ingeniously to build the rich imaging space that can be brought by abstract music,and express the special aesthetic standard of"upholding sadness"and function of"musical instruction".
许多音乐赋中有相当的篇幅包含渲染悲哀的内容,用文字这种媒介来表现音乐时,音乐赋的作者往往巧妙借用富于形象化的场景和氛围描写,来构筑抽象的音乐所能带给人的丰富的想象空间,从而表现其独特的"尚悲"审美取向以及相关的"乐教"功能。
5)  esthetic orientation
审美取向
6)  Ori-entationofcontemporary aesthetics
当代审美取向
补充资料:单面取向
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性质:高分子材料中某种单元(例如分子链轴、晶粒的某一晶轴或某一晶面、纤维状填料的纤维轴或片状填料的片平面)相对于高分子材料的某一特定平面(例如高分子薄膜的膜平面或高分子板材的板平面)择优排列的现象。

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