1.
On the Idea of Vigor Appeal of the Chinese Ink and Wash Landscape Paintings;

关于中国水墨山水画艺术的“气韵”说
2.
Automatic rendering for Chinese landscape painting using texture synthesis

基于纹理合成的水墨山水画自动绘制
3.
Song and Yuan Style Ink Pen and Ink Landscape Painting Tradition and Innovation

宋元水墨山水画笔墨风格的继承与创新
4.
The Skills of Paintings of Traditional and Modern Mountains-Waters --On the Development of Painting Skills;
传统山水画与现代山水画——试论笔墨的发展变化
5.
About the Coloring View on Ink and Wash,the Mainstream of Chinese Landscape Painting;

浅析中国山水画“水墨为上”色彩观
6.
Ink Performance and the Sublimation of Freehard Brushwork in Landscape Painting;

山水画创作中的笔墨表现与写意升华
7.
The Lingering Charm Of No Prepared Chinese Ink;

无墨之韵——浅论中国山水画的“留白”艺术
8.
The Thought of the Transformation about "the Color and Ink" in Landscape

关于山水画之“色彩与笔墨”的转换思考
9.
Researching into the Classical Aesthetics of the Chinese Brush Painting Animation Shanshuiqing;
水墨动画《山水情》中的古典美学情结探析
10.
THE DIFFERENCE BETWEEN MODERN BLUE AND WHITE LANDSCAPE AND CHINESE INK PAINTING;

现代青花山水艺术与中国水墨画的差异性
11.
On the Regional features of Multi-Nationality area in the Teaching and Practice of Water-and-Ink Landscape Sketches;
论山水画水墨写生教学中的民族区域性
12.
ARGUE THE SIMILARITY BETWEEN THE MODERN BLUE AND WHITE SCENERY AND THE CHINAESE INK AND WATER PAINTING
论现代青花山水瓷绘与中国水墨画的相似处
13.
Study on the Development of Ink Image and Figure Paintings;

水墨墨象与水墨人物画演进历程试探
14.
The Utilization of Chinese Ink Painting in Ink Animation

浅谈中国水墨画在水墨动画中的运用
15.
Chinese waltz in the simple and honest style Chinese ink controlling feature of landscape painting by Huang Binhong
浑厚华滋民族性——黄宾虹山水画用墨特色
16.
Study of Chinese Ink Using of Zhejiang Landscape Paintings Since 80 s in 20 Centuries;

20世纪80年代以来浙江山水画用墨研究
17.
On the Inheritance of Painting Skills in Chinese Landscape Painting;

略论中国山水画发展过程中的笔墨承袭
18.
Words Masculine and Feminine Elements Tone Vivid,Huang Binhong's Landscape Painting"Tone"Evaluation
笔墨阴阳 气韵生动——黄宾虹的山水画“气韵”评析