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1)  music for horse-head musical instrument
马头琴乐曲
1.
From the 1950s to the beginning of this century,the music composed for horse-head musical instrument can be divided into three development stages:the first stage is represented by "choir";The second stage is the creation of modern music;and the third stage is of creation and development of the music for horse-head musical instrument.
上世纪50年代到本世纪初,作曲家创作的马头琴乐曲可分为三个发展阶段:第一阶段是以"潮尔"为代表的马头琴艺术;第二阶段是现代马头琴乐曲创作;第三阶段是马头琴乐曲创作与发展。
2)  the horse-head violin music
马头琴音乐
3)  horse-head musical instrument concerto
马头琴协奏曲
4)  Kyokutebakin
曲亭马琴
1.
Prefaces of Kyokutebakin s Novels and Li Yu s View on Dramatics-novels;
曲亭马琴读本序跋与李渔戏曲小说论
5)  horse-head musical instrument
马头琴
1.
Contend Testify Correctly Naming——Differentiate and analyse the relation between Choir and horse-head musical instrument;
争鸣 证明 正名——抄儿与马头琴关系辨析
2.
To Classify and Protect National Musical Instrument Heritage——On the protection of Choir,horse-head musical instrument and those of the kind of Choir;
分“形”归“类”,保护民族器乐遗产——再谈抄儿、马头琴、抄儿类乐器及其保护问题
6)  horse-head musical instrument production
马头琴作品
1.
Based on the borrowing and developing of the Western music,Xin Hu-guang\'s horse-head musical instrument production use Mongolian music language and the relevant composing techniques,and carry out the thematic composing with various techniques and forms to construct the different music pieces.
辛沪光的马头琴作品是在借鉴、发展西方音乐创作基础上,运用蒙古民族的音乐语言、语汇及相关作曲技法,在各种类型音乐作品的主题形态构建方面进行了技法多变、形式多样的主题写作。
补充资料:马头
1.马的头。 2.船只停泊处。即码头。 3.指商业城市;都会。 4.马夫头目。 5.旧时迎神赛会,让孩子们装扮着戏里的角色,骑马游行,叫"马头"。
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