1) figure and fabric
音型织体
1.
The application of harmonic language, figure and fabric are the germ of compilation, which are able to create different styles, so this paper makes a discussion on the creation and application of compilation styles from them.
和声语言、音型织体运用的差异,是构成编配风格的根源。
2) texture and figuration
织体和音型
1.
This dissertation tries to explore the artistic value through historical development,at the same time to analyse the music elments such as: concept of pianism;harmony and tonality;melody as well as texture and figuration in Chopin Etudes, in order to discover the artistic characristics of Chopin Etudes, and finally to discuss the application in piano padagogy.
本论文试图从练习曲历史发展的角度来看肖邦练习曲的艺术价值,并通过对肖邦练习曲钢琴性思维、和声和调性、旋律、织体和音型等音乐要素的分析,挖掘肖邦练习曲的艺术性特征,继而探讨如何将艺术性的探索运用在教学中。
3) musical texture
音乐织体
4) Sound wall & sound massive teuxture
音墙——音块织体
6) communal voice
集体型声音
1.
Kingston tries every hard to identify herself and other women of her ethnic group through empowering female s voice,by constructing three modes of voices: authorial voice,personal voice and communal voice,Kingston exposes Chinese-American women who suffer from gender oppression and racial discrimination as the result of lost of subjectivity.
通过作者型声音、个人型声音和集体型声音(以单言、轮言和共言的形式)的建构,汤亭亭力图揭示生活在两种文化夹缝中女性的生存状态,并希望通过自己的写作,发挥其沟通两种文化背景下和谐共融的桥梁作用。
补充资料:音型
1.具有一定特性,能表达出某种情绪或意境的某种节奏类型。
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
参考词条