1) "folklores in poems"
诗中有俗
1.
This paper analyzes the cultural phenomenon of "folklores in poems" and "folk songs in folklores".
试图探讨是"诗中有俗,俗中有歌"的文化现象以及这种"既是诗歌,也是民歌,更是民俗"美学特征和各自间的艺术演化的相互关系与关联。
2) "folk songs in folklores"
俗中有歌
1.
This paper analyzes the cultural phenomenon of "folklores in poems" and "folk songs in folklores".
试图探讨是"诗中有俗,俗中有歌"的文化现象以及这种"既是诗歌,也是民歌,更是民俗"美学特征和各自间的艺术演化的相互关系与关联。
3) Popular Poem School in the Middle Part of Tang Dynasty
论中唐通俗诗派
4) painting-in-poetry
诗中有画
1.
Academia is inclined to agree painting-in-poetry is artistic state that feeling and setting happily blended in the poem.
关于“诗中有画”,学术界比较倾向于认为它是指在诗中呈现出一种情景交融的意境。
2.
The concept “painting-in-poetry" is not a misunderstanding of artistic theory, but an important fact of art morphology.
“诗中有画”不是“艺术论的认识迷误”，而是艺术形态学的一个重要问题。
3.
Moderns often analyze Wang s painting-in-poetry from the aspects, such as color, lines, composition, etc.
“诗中有画”，是研究王维诗歌艺术所必然涉及的重要方面，也是唐诗艺术研究和中国传统诗学的重要课题。
5) humanity in the poem
诗中有人
1.
From picture in the poem and humanity in the poem ,the different ways in creating of the two poets and different visual angles of their readers,this essay probed to the deep reasons in forming of the differences between their poem.
本文拟从“诗中有画”与“诗中有人”这一二人诗作与读者视觉差别出发,通过揭示其形成的深层原因,对二人笔下的山水面目,处理物我关系的不同及重意境与重意绪的差别作具体比较。
6) fusing calligraphy in poems
诗中有笔
补充资料：诗中有画
1.谓诗作工于描绘景物﹐读之如置身图画之中。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条