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1.
There is painting in his poetry, and poetry in his painting
诗中有画,画中有诗
2.
Pictures In Poems ,Poems In Pictures And Aesthetic Experience;
诗中有画”、“画中有诗”与审美体验
3.
Pictures in Poems and Poems in Pictures --On the Beautiful Pictures in Wang Wei s Pastoral Poetry;
诗中有画画中有诗——试谈王维山水田园诗中的绘画美
4.
Painting in Poetry and Poetry in Painting--a brief talk on the combination of chingese teaching and art
诗中有画,画中有诗——浅谈语文教学与美术的整合
5.
Elementary discussion on doctrinal foundation of Su Shi′s proposition "pictures in poetry" and "poetry in pictures"
浅论苏轼“诗中有画”“画中有诗”命题的学理依据
6.
Pictures in poetry The analysis of artistic features of Wangwei s Poems;
诗中有画——王维诗歌艺术特点初探
7.
In China, we too have a particular liking for Wang Wei's "having poetry in his painting and painting in his poetry".
我们中国也特别称道王摩诘的“画中有诗,诗中有画”。
8.
Is “Painting-in-poetry" a Misunderstanding of Artistic Theory?──A Query to “The Query about‘Painting-in-Poetry’, a Conception of Wang Wei’s Poems”
诗中有画”是“艺术论的认识迷误”吗?──《对王维“诗中有画”的质疑》的质疑
9.
"PICTURE IN THE POEM" AND "HUMANITY IN THE POEM"--Comparison between the landscape poetry of Wang Wei and Wei Yingwu;
诗中有画”与“诗中有人”——王维、韦应物山水田园诗比较
10.
New Investigation on the Characteristic of the Landscape Poetry of the Xie s Clan in the Six Dynasties;
诗中有画:六朝陈郡谢氏家族山水诗新探
11.
Review on the Character of Picture in Poem in Wang Wei s Poetry from Shan Ju Qiu Ming;
从《山居秋暝》看王维诗的“诗中有画”的特点
12.
Vivid State with Skillful Versification Means and Perfect Drawing Technique--Analyzing Wangwei s Painting-in-poetry from the Vertical;
运纯熟诗法 融绝妙画技 成鲜明之境——王维“诗中有画”艺术纵向分析
13.
The issue caused by painting in the poem in the history and its substances;
历代“诗中有画”所引起的争论及其实质
14.
Pictures in Poetry,Sound in Picture Dynamic for Static,Natural and Graceful --Appreciation and Analysis of Wang Wei s An Autumn Dusk in Mountains;
诗中有画,画中传声;以动显静,空灵优雅——王维《山居秋暝》赏析
15.
On Two Mistaken Places in Wang Wei s Study about "the Picture in the Poem";
略谈王维“诗中有画”问题研究中的两个误区
16.
Wonderland in the Poems of Traditional Chinese Painting
题画诗中有洞天——评《论艺题画诗选注》
17.
The Poets’ Self-presence in the Poems for Landscape Paintings in the Song Dynasty;
论宋代题山水画诗“画中有我”的自寓性
18.
Ancient Chinese Poem and Painting Have No Absolute Position on Neither Orthodox School Nor Orthaodox Tradition--On Reading Qian Zhongshu s Chinese Poems and Chinese Paintings;
中国旧诗画没有正宗、正统的绝对地位——读钱钟书《中国诗与中国画》