But Zhejiang Zheng was not lost, a group of artists in Hangzhou, represented by Wang Xunzhi, had established a national music institute since 1928.

Some characteristic and unique playing skills of the genre of Zhejiang Zheng play a great and even a key role in the entire materialization of its outstanding artistic styles,and these skills are of the most prominent expressive force in creation of Zhejiang Zheng melodies,and meanwhile,they have a deep impact upon the development of other genres of Zheng in China.

Ding Jing,the forefather of sigillography in Zhejiang school,and Li E,a famous poet of Zhejiang school,were named together as "Ding Li".

Based on historiography, Literature, academic research andschools of seal cutting in the middle of the Qing dynasty, this paper presents a close analysis of the master of Zhejiang school, Ding Jing's academic thought, aesthetic standard of seals and aesthetic orientation of seal cutting creation by way of a host of documents and plated materials.

In the literary world of middle Qing Dynasty,Li′E was the leader of the zhe school in poetry,also the leader of zhe′ci sect in the mid-term.

The Zhe school, whose representative is Li E, is more unique and influenced larger one between early-stage Romantic Charm school and medium-stage Style school and Spirit school in the Qing dynasty.

He was divorced from the Zhexi School and drawn close to the Changzhou School by Zhuang Yus guiding.

In the Daoguang period,the Zhexi school continued activing in the world of Ci popetry at Jiangsu-Zhejiang,but the view of Zhexi school assumed the trade of becoming divided.