1) Former Heptacodium
前七子
1.
This paper is based on the important members of "Former Heptacodium" in the years of Hongzhi and Zhengde and Jung Sun-fu, one of important member of Yang Ming School in Ming Dynasty, with his poetic creation.
本论文以明弘治、正德年间“前七子”文学复古运动重要成员及明代闽地阳明心学主要代表郑善夫及其诗歌创作为研究对象。
2.
Zheng Shanfu,one of the important memberS of "Former Heptacodium" of the Ming Dynasty,was an early national fa-mous poet in the development of Fujian literary history.
作为明代"前七子"文学复古运动的重要成员,郑善夫是福建文学发展史上较早具有全国影响力的著名诗人。
2) The Former Seven Writers and Latter Seven Writers
前后七子
1.
"The Former Seven Writers and Latter Seven Writers" adavocated returning to the ancents.
"前后七子"倡言复古,其辞赋复古主要是恢复隋唐以前抒情言志传统,揭露社会黑暗,讽谕现实,抒发个人情感;形式上多采用古体,艺术上多铺采文;赋风主效楚辞、汉赋或魏晋赋。
3) the Seven-Talent Group
前七子派
1.
The Lower Yangtze Valley Group kept a wide range of communication with the flourishing literary groups such as the Cha-Ling Group,the Seven-Talent Group and the Chen-Zhuang Group during the reign time of Chenghua and Zhengde,presenting character of being open to the outside as they remained their local quality.
成化至正德时期(1465~1521)的吴中文学在保持地域性特色的同时,又与外界文学流派如京师茶陵派、前七子派以及陈庄体诗人有着广泛交流,呈现出开放性特征。
4) before "7·57 incident"
"七.七事变"前
5) before the July 7th Incident of 1937
七七事变前
1.
Discussion on Development of Posts and Telecommunications in Hebei before the July 7th Incident of 1937;
七七事变前河北邮电通讯事业发展述略
6) "Seven Poets"
七子
1.
He always imitate the poetry of Penlon Li, Wang Shizhen, which represented the "Seven Poets" and the poetry of Liu Changqing, Li Shangyin and Han Wo\'s poetry, as represented the poetry style in the late Tang Dynasty .
全文分为三个部分:一、“得法于唐”——《珂雪初集》的诗学源流曹贞吉前期诗歌以“宗唐”为主,其效法的对象分别为以李攀龙、王世贞为代表的“七子派”之诗风及以刘长卿、李商隐和韩偓诗为代表的中晚唐诗风。
补充资料:前七子
前七子 中国明代文学流派。明弘治正德年间,李梦阳、何景明针对当时虚饰、萎弱的文风,提倡复古。他们鄙弃自西汉以后的散文和自中唐以后的所有诗歌。这一主张被当时许多文人接受,于是形成影响广泛的文学上的复古运动。除李、何之外,这个运动的骨干尚有徐祯卿、康海、王九思、边贡、王廷相,总共7人。为把他们与后来嘉靖、隆庆年间的李攀龙、王世贞等后七子相区别,世称前七子。前七子强调文章学习秦汉,古诗推崇汉魏,近体宗法盛唐,反对充斥文坛的台阁体、八股文、理气诗,主张廓清萎靡不振、陈陈相因的诗风。在当时有进步意义。前七子多在政治上敢与权臣、宦官作斗争。尽管诗文创作成就不等,但均有一些面对现实、揭露黑暗的作品。如李梦阳、何景明的《玄明宫行》、王九思的《马嵬废庙行》、王廷相的《西山行》等,都是表现宦官专权及讽刺他们横行不法、骄横淫逸的题材,颇切中时弊。前七子以文必秦汉、诗必盛唐为总的思想指导,而在一些具体的文学见解上存在着不同程度的分歧。有人过分强调从格调方面刻意模拟汉魏、盛唐的诗歌,甚至将一些结构、修辞、音调上的问题视为不可变动的法式,走上盲目尊古拟古的道路,忽视文学应有的独创性,忽视了创作的现实生活根源,以致发展到后来模拟成风,万口一喙,造成不良影响。 |
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