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1)  Jing beyond Image
象外之境
2)  images beyond images
象外之象
1.
It consists of three main aesthetic constituents, namely, images, emotions and“images beyond images”.
它包括三个美学要素,即意象、情感及象外之象。
3)  natural manifestation
外应之象
1.
In this paper,the visceral manifestation theory was put back to the the specific historical conditions of its occurrence and development to explore the generation bases of its form quality manifestation,physiological manifesta-tion,pathological manifestation and natural manifestation,so as to reveal the origin and the whole story of the theory,thus deepening our understanding of it.
将藏象理论回置于其发生发展的具体历史条件,探析藏象之形质之象、生理之象、病理之象、外应之象的发生学依据,揭示藏象理论的发生由来、形成原委,以进一步加深对藏象理论的认识与理解。
4)  go beyond the picture
取之象外
5)  Consciousness of Noumenon Acquired beyond Scenery
境外之意
1.
Whatever study, the internal structure of Yijing(Scenery, Feelings Introjecting into Scenery, and Consciousness of Noumenon Acquired beyond Scenery) or the ultimate goal (incarnating the noumenon of the universe and life)achieved through Yijing, the.
无论是探索意境构成的内在机理———境 -境中之意 -境外之意 ,还是考量意境所要达到的最终目的———表现作为宇宙的本体和生命的道 ,其中的根源都可以追溯到老庄哲学、美学的根本原则“道”的上面。
6)  there is no boundary for the scene
无外之境说
补充资料:象外
1.犹物外,物象之外。 2.谓尘世之外。 3.谓写诗比物以意,而不指言某物,意境超乎常法之外。
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
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