1) On "Regarding Sorrowful Voice as Aesthetics
论"悲音为美"
2) Sorrow as Beauty in the Music of Chu State
楚音以悲为美论略
3) taking sorrow as sensuousness
以悲为美
1.
The paper outlines the development venation of "taking sorrow as sensuousness" in appreciating Chinese ancient music.
本文勾勒了中国古代音乐鉴赏中“以悲为美”现象的发展脉络,进而运用亚里士多德关于音乐功能的论述来阐释悲曲何以能产生美,认为正是由于音乐之“悲”可以宣泄听众的不良情感,故而使受怜悯、恐惧或其他情感骚扰的人能感受到一种轻松和愉快,“以悲为美”才有了产生和流行的依据及价值。
4) woe as beauty
悲为美
1.
This thesis probes into the origin of "woe as beauty " in the metaphysics of Wei and Jin Dyansties: "woe"has proceeded along the way from music into literary criticism.
本文着重探讨了魏晋玄学“悲为美”的缘起:“悲”从音乐进入文论,有着漫长的发展历程。
5) On Aesthetics of Tragedy
论悲剧美
6) On the beauty of melancholy
论悲伤美
补充资料：楚音
1.楚地的音乐。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条