From the every beginning of development of the western tragedy theories twists but glorious process it is long,until Marx and Engels s theory,just developing the tragedy theories into the science stage,it displays the maturity of this theory with the tragedy s esthetics characteristic.

The main differences between Chinese and western tragedies lie in choosing tragic characters and conflicts.

To some degree, we can say transcendence is the most abstruse implication of western tragedies and the essence of western tragic spirit.

Suffering,resisting and surmounting misery are the three dynamic key elements of western tragedy.

Taking the oral and written Jingpo literat ure as a whole, the author gives a systematic analysis of the origin and development of the tragic aesthetics revealed in Jingpo literatur e, describes the general development of the aesthetic ideas and standar ds of the Jingpo nationality,and concludes that it is a process from imagination to reality.

The initiation of Jin Yunqiao Biography in tragic aesthetics theory in China, the artistic pursuit of confronting reality, the conscious reflection of feminine tragic fate in the fedal society, the artistic quality and style of centering on love but not involv.