1) Tao·Heart·Aesthetics
道体·心体·审美
2) esthetic experience
审美体验
1.
The relations between esthetic experience and bionic shaping,esthetic experience and product shape,and esthetic experience and the product bionic shaping design was analyzed.
从审美体验与形态仿生、审美体验与产品形态、审美体验与产品形态仿生3个方面出发,对形态仿生设计在审美体验下产品形态设计的影响力进行了分析和探讨。
2.
On this basis, it distinguishes further scientific attitude, transcendental and aesthetic experience.
用胡塞尔现象学还原的方法,将审美活动中人的“内知觉”从遮蔽我们的“物”知觉中剥离,澄清“经验”是一切审美活动、情感体验的直接对象,在此基础上,进一步区分科学态度与审美态度、超验体验与审美体验。
3) aesthetic subject
审美主体
1.
The Fictitious Ego——On the solipsism of the aesthetic subject and the subjectivity of the narrative content of the Van-Guard Novel;
虚伪的自我——先锋小说审美主体的唯我主义与叙事内容的主观性
2.
Based on the inter-relationship between poetry and Zen, the paper holds that Yan Yu s theory on "poetry illustration from the perspective of Zen",with "awakening to truth" as the core theory,divides the aesthetic activities into two stages and is the organic unity between aesthetic subject and aesthetic object.
本文通过回顾禅学和诗学之间的相生相倚的渊源关系,认为严羽的"以禅喻诗"说,以"妙悟"为核心理论,把审美活动按照层次分为两个阶段,是审美主体与审美本体的有机统一。
3.
As the aesthetic subject,the translatorsa’esthetic understanding and judg-ment of the original—the aesthetic object—as well as the aesthetic psychological abilities on the part of the target lan-guage readers determine the aesthetic values of the translation.
文学翻译首先是一种审美过程,译者作为审美主体,对原作即审美客体的理解以及对译文读者审美心理的判识,共同奠定了译文的审美价值。
4) Aesthetic Object
审美客体
1.
As the aesthetic subject,the translatorsa’esthetic understanding and judg-ment of the original—the aesthetic object—as well as the aesthetic psychological abilities on the part of the target lan-guage readers determine the aesthetic values of the translation.
文学翻译首先是一种审美过程,译者作为审美主体,对原作即审美客体的理解以及对译文读者审美心理的判识,共同奠定了译文的审美价值。
2.
It s affirmed that as an objective reality,the aesthetic target in phenomenology is different from the aesthetic object.
运用现象学的方法,对审美对象进行阐释,认为它不仅需要具有客观存在的条件,而且必须经过主体的知觉,从而进一步确认,现象学美学中的审美对象作为客观存在的对象不同于审美客体,它是一种意向性、关系性的存在,其内涵比审美客体的内涵更丰富、更具体、更富主体性,也更适合建构新的美学体系;作为被意识到的对象的审美对象不同于一般的意识对象,它是一种需要用审美经验去感知的对象性存在。
3.
Besides,it is necessary for the aesthetic object of music to achieve the unity of content and form in order to produce tremendous art attraction.
此外,音乐审美客体必须做到内容与形式的统一,才能产生巨大的艺术魅力,而音乐审美客体的内心体验是“不传之道”,是使其产生艺术感染力的源泉。
5) Aesthetic experience
审美体验
1.
Pictures In Poems ,Poems In Pictures And Aesthetic Experience;
“诗中有画”、“画中有诗”与审美体验
补充资料：道体
【道体】
（术语）圣道之体也。谓自己之本心。以一切之圣道由之而生也。戒疏行宗记二上曰：“言道体者，道无别体，即本净心。心随染缘，与道相反，故禁重罪，还复本净。无漏圣道由此而生。故云体也。”
（术语）圣道之体也。谓自己之本心。以一切之圣道由之而生也。戒疏行宗记二上曰：“言道体者，道无别体，即本净心。心随染缘，与道相反，故禁重罪，还复本净。无漏圣道由此而生。故云体也。”
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条