1) On the Poetical Character of the Chinese Traditional Opera
戏曲诗性论
2) The Poetic-musical drama
诗赞体戏曲
3) dramatic theory
戏曲理论
1.
LIYu dramatic theory was embodied mainly in his There were sometimes leisurely to be reposed.
李渔的戏曲理论主要体现于其所作《闲情偶寄》中。
2.
With dramatic theory of Li Yu,taking "Peach Blossom Fan" of Kong Shang Ren for example,dramatic theory and creation of Qing Dynasty are up to a new peak.
从李渔的戏曲理论出发,以孔尚任的《桃花扇》为例,对"传奇"的界定,《桃花扇》的结构、语言等方面作了一定的分析研究。
4) opera theory
戏曲理论
1.
Research on Li Yu s opera theory and audience orientation in opera writing;
李渔的戏曲理论与创作中的观众学初探
2.
His opera theory is mainly collected in the On Poems and Verses and On Performance and in part of On Vocal and Facial from Xian Qing Ou Ji,as well as some can be seen in his poems or rhapsody or articles or rhymed verses, Kui Ci Guan Jian for example.
李渔是我国明末清初杰出的戏曲理论家,他的戏曲理论主要集中在《闲情偶寄》的《词曲部》、《演习部》以及《声容部》中,也有少数戏曲理论散见于其诗文词赋中。
3.
The literary thoughts, as an important composition of Hu Yinglin's academicthoughts, ranges broadly from novel theory, poetics to opera theory.
胡应麟的文艺思想是其学术思想的重要组成，其内容广泛，包括小说理论、诗歌理论、戏曲理论三个部分，其各体理论不仅自成体系，且其中思想观点与研究方法多有创新。
5) drama theory
戏曲理论
1.
"Ben se" is an important concept in Chinese drama theory.
“本色”是中国戏曲理论中的一个重要概念。
2.
On the basis of the research results before today, I want to research and analyze all Qibiaojia's life and his communication with his friends ,and his drama theory in detail.
本文力图在总结前人祁彪佳研究成果的基础上，对祁彪佳的生平思想交游及理论进行进一步的研究和分析，以期展示明代末年清流士大夫的政治际遇和特殊心态，揭示祁彪佳曲论的批评特色和理论建树及其在戏曲理论史上的地位。
3.
Firstly, I will research into his drama theory.
李渔的戏曲理论与创作实践在戏曲史上的地位并不相称，很多人认为前者成就高于后者。
补充资料：赠翁承赞漆林书堂诗
【诗文】：
轺车故国世应稀，昔日书堂二纪归。
手植松筠同茂盛，身荣金紫倍光辉。
入门邻里喧迎接，列坐儿童见等威。
却对芸窗勤苦处，举头全是锦为衣。
【注释】：
【出处】：
全唐诗：卷726-18
轺车故国世应稀，昔日书堂二纪归。
手植松筠同茂盛，身荣金紫倍光辉。
入门邻里喧迎接，列坐儿童见等威。
却对芸窗勤苦处，举头全是锦为衣。
【注释】：
【出处】：
全唐诗：卷726-18
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条