1.
History of Chinese Classical Dramatic Theory
中国古典戏曲理论史
2.
On Preface and Postscript in Yuan Dynasty Opera for Building Opera Theory
论元代戏曲论著序跋在戏曲理论建构中的功用
3.
The "originally simplicity approach"in theories about Chinese classical opera;
中国古典戏曲理论中的“当行本色”论
4.
The reclaimer of Chinese traditional opera research in 20th century;
20世纪中国古代戏曲研究的拓荒者——黄摩西戏曲理论批评简论
5.
LI Yu was one famous drama theoretician of Chinese ancient.
李渔是中国古代著名的戏曲理论家。
6.
Family theatrical troupe and Lee Yu s opera theory;
李渔家班与《闲情偶寄》的戏曲理论
7.
Success of "Peach Blossom Fan" from Li Yu s Dramatic Theory;
从李渔戏曲理论看《桃花扇》的成功
8.
Emphasizing the Unique Ideas of Time and Space in Traditional Chinese Opera -Following A Jia s Aesthetic Theories and Ideas;
重视戏曲的独特的时空观——学习阿甲的戏曲理论和美学思想
9.
On the Enrichment to the National Features of Chinese Teleplay Theories with the Traditional Opera Theories;
用戏曲理论丰富电视剧理论民族特色之探索
10.
A Tentative Study of Feng Menglong s Theoretical Concept of Opera;
试论冯梦龙的戏曲理论观念——兼论其戏曲理论与原创作品之间的“错位”
11.
Discussion of the Dislocation between Drama Theory and Create of Liyu;
试论李渔戏曲理论和创作实践的错位关系
12.
The Advancement and the Long - Lasting Influence in the Classical Opera Theory by Shenjin;
论沈璟戏曲理论的历史进步性及深远影响
13.
On the Contemporary Research System of Classical Dramaturgy;
论当代古典戏曲理论研究体系的建立及其内涵
14.
On the Concept of Performers′Cultivation by“Combing Their Inner World with the Outside”in Ancient Chinese Opera Theories;
论中国古代戏曲理论“内外结合”的演员修养观
15.
On Six-elements Schemata and Dramatic Theory of Ming Dynasty
六要素图式与明代戏曲理论批评论争研究
16.
Saban Pandita's "Yuelun(乐论)" Made Contributions to the Theory of Tibetan Opera
萨迦班智达的《乐论》对藏族戏曲理论的贡献
17.
Opera, Drama and Traditional Chinese Drama-Second Analysis of Wang Guowei s “Opera” Theory;
戏曲·戏剧·中国民族戏剧——王国维“戏曲”理论的再解读
18.
ON SHEN JING S AND TANG XIAN-ZU S OPERA WRITING THEORIES AND THEIR INFLUENCE;
略论沈、汤的戏曲创作理论及其影响