1) beizɑju
北杂剧
2) comic performance in Northern Song Dynasty
北宋杂剧
1.
Origin from Henan province,comic performance in Northern Song Dynasty was not only specific historical product when Chinese traditional music converted into drama-musical art from kabuki music but also primary but perfect form in the course of Chinese opera.
兴起于河南的北宋杂剧,既是中国传统音乐由最具代表性的歌舞伎乐形式转向戏乐艺术形式的历史产物,又是中国戏剧艺术发展过程中的初级成熟形态。
3) Zaju in the north
北曲杂剧
1.
Both opera in the south and Zaju in the north in the Song and Yuan dynasties, originate from the Zaju of the Song dynasty.
宋元时期的南戏与北曲杂剧虽然都是在宋杂剧的基础上发展起来的，但由于剧作家身份的不同，一为民间艺人，一为文人学士，两者编撰戏曲的目的不同，故在剧作内容、剧本形式、脚色体制、语言风格、音乐结构、演唱形式及其流传都产生了差异。
4) the Northern Za Ju Oprea in the Ming Dynasty
明代北杂剧
1.
ChuanGuan in Maiwang Room Transcripts of the Past and Present Za Ju Oprea is the concentrated reflection of the costumes of the Northern Za Ju Oprea in the Ming Dynasty.
《脉望馆钞校本古今杂剧》中的“穿关”是明代北杂剧服饰的集中反映,它表明明代北杂剧服 饰已趋于成熟,并形成了融程式性、符号性和实用性为一体的特点。
5) On the On-Stage Poem of the Zaju Opera
论北杂剧的上场诗
6) plays
[英][plei] [美][ple]
杂剧
1.
On the calls for the imperial examinations by the underlings in the plays of Yuan;
呼唤科举:元杂剧中下层文人的生命呐喊
2.
Through comparisons between the figure of Li Cunxiao in plays, in the New Edition of Tales from the Five Dynasties and in Historical Novels of Late Tang through the Five Dynasties, this paper points out that Li Cunxiao is the primary protagonist of plays and novels.
杂剧、《新编五代史平话》和《残唐五代史演义传》中均有李存孝形象,但杂剧和《残唐五代史演义传》保存了民间讲史的基本内容,而《新编五代史平话》的改编写定者则参考史籍,对讲史内容作了重大调整,在主题与结构上向正史靠拢,可以看作是古代通俗小说文人化的肇始。
3.
Ma Zhiyuan s experience and plays show that Autumn in Palace is not to express the nation s emotion but it is a tragedy for the scholars at that time.
马致远的生平经历、散曲创作及其杂剧创作表明,他的代表作《汉宫秋》杂剧主要不是在表现民族情绪,而是一部元代文人的时代悲剧,是马致远这个传统文人的人生悲剧。
补充资料：北杂剧
见元杂剧。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条