1.
On the Divergence and the Reason about Southern Drama and Northern Zaju in Formal System;
论南戏和北曲杂剧在形式体制上的差异及原因
2.
Southern Song Dynasty s Zaju is Different from Northern Song s;
北宋杂剧与南宋杂剧是不同的杂剧形式
3.
A medley of familiar themes, with variations and interludes.
集成曲歌剧咏叹调或通俗小曲的杂烩
4.
On the Coexistence, Mixture and Integration of the Traditional Opera and Modern Drama;
简论戏曲与话剧的“杂合”、“融合”和“整合”
5.
A Quantitative study on the Yuan Dynasty s drama tunes and melodies;
元杂剧宫调、曲牌运用情况的量化研究
6.
Random Thoughts on Othello;
人性的扭曲 信任的危机——重读《奥》剧杂感
7.
"The theater world produced masterpieces to drama literature in the form of "zaju"and "Kunqu". "
中国戏曲史上出现过许多杂剧和昆曲的杰作。
8.
On Several Taoqu about the Spread and Performance of Zaju in the Yuan Non-dramatic Songs
论元散曲中几个关于杂剧演出与传播的套曲
9.
Dale R. Johnson’s Research on the Prosody of Yuan Drama (Ⅰ)
元杂剧剧曲联套的奥秘——美国学者章道犁的元曲研究述评
10.
Dramatic Terms "Ke", "Jie" and Their Origins of Rites in the Northern and Southern Classical Chinese Dramas;
戏曲术语“科”、“介”与北剧、南戏之仪式渊源
11.
Historical Process of the Creation of Local Northeastern Operas(Ⅱ)
创建东北本土戏曲剧种的历史进程(中)
12.
The Northern Song Tsa-chu"Mulian Saving His Mother"Is A Ritual Play;
北宋《目连救母》杂剧的表演形态刍议
13.
Brief History of Beijing Opera of the Northeast--the Subject Studies about the History of Northeastern Drama;
东北京剧史略——东北戏曲史专题研究之四(下)
14.
Brief History of Beijing Opera of the Northeast -the Subject Studies about the History of Northeastern Drama;
东北京剧史略(上)——东北戏曲史专题研究之四
15.
On the Subjective Conjecture about the Additions and Deletions in Selected Yuan Dramas;
《元曲选》增删元杂剧之说多臆断——《元曲选》与先期刊抄元杂剧作品比较研究
16.
On the Progress in the Achievement of Ming-dynasty Plays through Comparison between Yuan-dynasty and Ming-dynasty Block -printed Edition Yuan Poetic Dramas;
从元杂剧元明刊本之比较论明代戏曲的进步
17.
The Study on the Writers,Actors,Dramas and National Characters of Hui People in the Miscellaneous Drama of the Yuan Dynasty;
元杂剧中的回回作家、演员、戏曲及其民族性
18.
Ideological Content and Historical Position of Four Great Yuan Songs;
元曲四大家杂剧的思想内容及文学史地位