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1)  Dominant consciousness in space
空间意识优位
2)  space consciousness
空间意识
1.
Rooting in different outlook on nature,thinking pattern and cultural circumstance,Chinese and western classical architecture reflect totally different space consciousness.
基于相异的自然观、思维方式、文化环境,中西古典建筑艺术有着迥异的空间意识。
2.
Thus, this space consciousness offers not only a reliable approach to the world of Kafka s, but .
空间意识构成了卡夫卡小说的典型特征。
3)  spatial consciousness
空间意识
1.
Such spatial consciousness is neither physical nor geometrical.
这种空间意识不是物理的或几何的,而是心灵的观照,是中国艺术家用心灵创造的艺术境界、人化的自然。
4)  consciousness of space
空间意识
1.
The Distant,Hidden and Occult Artistic Concepts——on the consciousness of space in the landscape paintings in Song and Yuan Dynasty;
远境·藏境·玄境——论宋元山水画所表现的空间意识
2.
This paper discussed the profound influence of Chinese poetry and painting on Chinese Penjing in the formation and development of its national style and pointed out that the Chinese Penjing is consistent with Chinese poetry and painting in the consciousness of space, painting is its shape and poetry is its soul, the fusion of poetry, painting and Penjing are the path to develop Chinese Penjin
认为中国盆景与中国诗画有着相通的空间意识 ,并以画为形 ,以诗为魂 ,盆景与诗画相融合是中国盆景发展之
5)  space awareness
空间意识
1.
Based on ZONG Bai-hua’s article titledThe Space Awareness Expressed in Chinese Poems and Paint-ings,this paper analyzes and unscrambles the article’s basic thoughts about Traditional Chinese Aesthetics’facts,its key words———space awareness,rhythm,its basic methods and its unique ways of speaking.
文章依托宗白华的《中国诗画中所表现的空间意识》,扼要分析了其解读中国传统美学事实的基本思路、关键词———空间意识、节奏、基本方法以及独特的言说方式,并展开有限的讨论,指出其美学研究范式在中国现代美学研究史上的独特价值。
6)  ideological dimension
意识空间
1.
Therefore,the sculpture art starts to walk out of the age of traditional objective dimension and into an era of ideological dimension.
由此,雕塑艺术从传统的客观空间之中走出来,进入到人的意识空间。
补充资料:散位独头意识
【散位独头意识】
  谓意识不缘五尘之境,但散乱遍计诸法,或缘空华水月等诸色相,或缘过去现在未来一切诸法,此非定中,又非梦境,是名散位独头意识。
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
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