1) the aesthetic view of subjective theory
主体论美学观
2) subjectivist aesthetics
主观论美学
1.
Transcending subjectivist aesthetics, Gadmer s discussion of occasionality in his "Truth and Method" bridges his artistic ontology and hermeneutical ontology on a universal level.
伽达默尔在《真理与方法》一书中对艺术作品偶缘性问题的讨论,是他超越主观论美学而从艺术本体论向普遍意义的诠释学本体论过渡的一座桥梁。
3) Subject-conceptual architectural aesthetics
主体论建筑美学
1.
Subject-conceptual architectural aesthetics is rested on unification of subjectivism’s solipsism and objectivism’s ontology, such as hermeneutics and deconstructionism, and it thinks that the existence of architecture is independent of human, but the beauty of architecture depen.
任何建筑美学都有一定的哲学根基,客体论建筑美学的哲学根基哲学本体论,它演绎出美是一种不依赖人而存在的建筑客观属性;主体论建筑美学的哲学基础是主观主义唯我论和客观主义存在论的统一,以解释学、解构主义哲学为表率,它认为建筑不依赖人而存在,但建筑的美却依赖于人,建筑美与不美取决于人;价值论建筑美学的哲学基础是价值论、现象学等人文哲学,它认为建筑之美既不取决于建筑客体,也不取决于主体,而是存在于主、客体等构成的复杂价值关系之中。
4) pro-objectivity aesthetics
客观论美学
1.
However, at the beginning of the new century when reviewing his pro-objectivity aesthetics, we will find it more evident that his aesthetics arguments, from the objective point of view, have unavoidably.
然而 ,当我们站在新世纪的门口来重新审视其客观论美学话语时 ,便明显地感觉到 ,因为他过分地热衷于套用马克思主义的唯物论和认识论来演绎美学观点 ,所以不可避免地导致了对于审美主体的挤兑 ,客观上造成了“关系”的失落。
5) Literary idea of subjective practicality
主体性实践论文学观
6) the literary subjectival theory
审美主体论
补充资料：信息论心理美学
信息论心理美学
aesthetics of information theory
信息论亡理美学(a e sohetiC、。f informati‘)ntheory)参见“认知心理美学”
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条