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1)  subjective aesthetics
主体性美学
1.
During the third debate at the turn of 21 st century between the aesthetics of practice and the post_aesthetics of practice,the modern intersubjective aesthetics represented by post_aesthetics of practice is established.
主体间性美学不仅克服了主体性美学的理论缺陷 ,具有现代性的理论意义 ,而且解决了现代人的精神需要 ,具有现代性的社会意
2)  the Intersubjectivity Aesthetics
主体间性美学
1.
It is a sort of behavior seeking quick success and instant benefit to name The Post-Practice Aesthetics as"the Intersubjectivity Aesthetics"and the Practice Aesthetics as"the Subjectivity Aesthetics"and to regard the former as transcending the latter.
把后实践美学命名为“主体间性美学”而把实践美学称为“主体性美学”,并且把前者作为对后者的超越,这种做法是一种急功近利的炒作行为,并不是历史的必然。
3)  esthetics without main bodily
无主体性的美学
4)  aesthetic subjectivity
审美主体性
1.
From the perspective of aesthetic subjectivity, the author probes into Marcuse s aesthetic theory, and holds that both his emphasis on eros liberation, and his persistance in aesthetic revolution as well as his advocation of sensibility are realized in his opposition against dissimi-lated reality and expectation for free humanity and society.
笔者从审美主体性角度对马尔库塞的美学思想进行了深入的开掘,认为无论是他对爱欲解放论的强调,还是对艺术审美革命论的坚持和新感性的张扬,都落实到他对异化现实的反对和自由人性和社会建立的期待上。
5)  Beauty in Subject Character
主体品性美
6)  Subject-conceptual architectural aesthetics
主体论建筑美学
1.
Subject-conceptual architectural aesthetics is rested on unification of subjectivism’s solipsism and objectivism’s ontology, such as hermeneutics and deconstructionism, and it thinks that the existence of architecture is independent of human, but the beauty of architecture depen.
任何建筑美学都有一定的哲学根基,客体论建筑美学的哲学根基哲学本体论,它演绎出美是一种不依赖人而存在的建筑客观属性;主体论建筑美学的哲学基础是主观主义唯我论和客观主义存在论的统一,以解释学、解构主义哲学为表率,它认为建筑不依赖人而存在,但建筑的美却依赖于人,建筑美与不美取决于人;价值论建筑美学的哲学基础是价值论、现象学等人文哲学,它认为建筑之美既不取决于建筑客体,也不取决于主体,而是存在于主、客体等构成的复杂价值关系之中。
补充资料:按劳分配主体作用质的规定性
按劳分配主体作用质的规定性,是指按劳分配在剩余价值分享中发挥主体作用所具有的性质与属性。
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
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