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1)  five-part landscape aesthetics
景观美学五论
2)  landscape aesthetics
景观美学
1.
On the influences of Taoistic philosophy on landscape aesthetics of Chinese traditional garden;
浅析道家哲学对中国传统园林景观美学的影响
2.
Based on the studies of landscape aesthetics,this paper proposes fractal aesthetics,another form of aesthetics,which derives from the combination of fractals and aesthetics,and then puts forward the connotation of the fractal aesthetics and its application in landscape design.
从景观美学研究的角度出发,提出了一种把分形几何学与分形艺术结合在一起的美学形式———分形美学;本着丰富景观美学研究内容和扩大景观美学研究视角的目标,探讨了分形美的基本内涵;并结合分形美在景观美学塑造中的应用阐述了分形美的美学特征。
3.
This paper expounds the relation between aesthetics and landscape architecture,researches the evolution history of landscape aesthetics thought in different historical periods,and probes into the theoretical foundation and expression of ecological aesthetics of landscape design under the influence of ecological civilization.
论述了美学与景观设计学的关系,研究了人类不同历史时期景观美学的思想演变历程,探讨了在生态文明影响下的景观设计中生态美学的理论基础与表现。
3)  landscape esthetics
景观美学
4)  subjectivist aesthetics
主观论美学
1.
Transcending subjectivist aesthetics, Gadmer s discussion of occasionality in his "Truth and Method" bridges his artistic ontology and hermeneutical ontology on a universal level.
伽达默尔在《真理与方法》一书中对艺术作品偶缘性问题的讨论,是他超越主观论美学而从艺术本体论向普遍意义的诠释学本体论过渡的一座桥梁。
5)  pro-objectivity aesthetics
客观论美学
1.
However, at the beginning of the new century when reviewing his pro-objectivity aesthetics, we will find it more evident that his aesthetics arguments, from the objective point of view, have unavoidably.
然而 ,当我们站在新世纪的门口来重新审视其客观论美学话语时 ,便明显地感觉到 ,因为他过分地热衷于套用马克思主义的唯物论和认识论来演绎美学观点 ,所以不可避免地导致了对于审美主体的挤兑 ,客观上造成了“关系”的失落。
6)  construction of landscape aesthetics
景观美学建设
补充资料:五论
【五论】
 (名数)无著菩萨承弥勒菩萨之旨所著之五部大乘论也。(参见:五部大论)
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
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