1) the teaching of the ancient fictions
古代小说教学
2) ancient novel
古代小说
1.
Both Chinese ancient novel and drama are characterized by common esthetics in the way of being comprehensive,civilized and popular.
中国古代小说和戏曲具有综合性、教化性、愉悦性、通俗性等共同的审美特征,而古代戏曲还有直观性、程式化、节奏性、抒情性等独有的审美特征。
2.
The character images in Chinese ancient novels and dramas has experienced the developing process that starts from nonexistence to existence,from simplicity to complexity,from the characteristics of type to the typification.
中国古代小说和戏曲中的人物形象都经过了从无到有,从简单到复杂,从类型化到典型化、复杂化的发展过程。
3.
Although the physiognomist images exist in many of ancient novels,they have seldom caused the researcher s concern in the past.
相士形象虽然在古代小说中大量存在,但以往很少引起研究者的关注。
3) ancient novels
古代小说
1.
The historical warning function and persuasive function in ancient novels;
古代小说的史鉴功能和劝戒功能——中国古代小说评点派研究二题
2.
The study of "edition" forms the basis of the study of ancient novels and is also the premise of evaluating them historically and aesthetically.
古代小说有其特殊性质,版本研究是古代小说研究的基础,也是对古代小说作出历史和审美评价的前提。
3.
The reason is believed to the disconnection between the study of the ancient Chinese novels and the creation of ancient novels.
小说概念的辨析和界定是20世纪中国古代小说研究中一个长期未能得到很好解决的学术难题。
4) ancient fiction
古代小说
1.
This paper, by referring to such true and fake characters in the ancient fiction as LI Kui, SUN Wo-kong and JIA Bao-yu, explores the effects of the writers creating and describing such characters in reflecting the characters mind and personality, enriching their works ideological implications and enhancing their works aesthetic dimension.
本文以古代小说中真假李逵、真假孙悟空、甄 (真 )贾 (假 )宝玉等人物形象为例 ,具体地分析了作者们设置、描写真假人物 ,对于突出主要人物的思想性格 ,丰富作品的思想内涵 ,增强作品的审美效果所起的作用。
2.
The paper intends to delineate the role and significance of preface and postscript in the reading of ancient fictions.
文章从阅读者的角度论述了序跋在读者欣赏古代小说中的重要作用和意义。
5) ancient Chinese novels
古代小说
1.
As far as the ancient Chinese novels are concerned,from their "no appealing to refined taste" in the born stage to the ultimate "hot cake" in the literature field,the readers consumption needs played a big role in the above-mentioned process.
中国古代小说从产生时的“不登大雅之堂”到逐渐成为人们文学消费的主体,在这一过程中,读者的消费需求起着相当大的作用。
2.
Studies in ancient Chinese novels were very fruitful in the 20th century.
中国古代小说研究在20世纪已取得重大成就,展望新世纪,我们要有创新的理论思维,扎实的基础工作,深入的专题研究,广泛的学术交流,不断壮大的学术队伍。
补充资料：《20世纪拉丁美洲小说》
《20世纪拉丁美洲小说》
赵德明先生的作品，诺贝尔文学奖得主墨西哥著名作家奥克塔维奥•帕斯曾经说过：“拉丁美洲文学是一朵朵奇异的鲜花”。那么它究竟奇异在哪里呢？相信只要读了此书，您就可以认同帕斯的话了，拉美文学，揭露黑暗，批判丑恶，同时又兼具艺术的巧妙生动性，是值得鉴赏的优秀文学作品。
本书作者认为，文学创作活动首先是一种精神活动，一种艺术创新、思维创新、语言创新的活动。创新、进取、奋斗是20世纪拉丁美洲作家精神状态的主流。全书分19章，详细介绍了20世纪拉丁美洲文学的嬗变。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。