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1)  double vision
双重视角
1.
Divergences of the criticism on the novel reside mainly in its ambivalence andambiguity as a result of Forster s "double vision", and its happy, but unconvincingending that seems to embody the ultimate and comprehensive "connection" of allthose opposing forces which Forster has discerned in modern society.
由于福斯特的“双重视角”,评论界对他的分歧一直在于他是否是一位话语中模棱两可、充满太多不确定的作家。
2.
Her identity both as a critic and a writer offers her a unique double vision, which enables Byatt to write novels that display her considerable expertise in narrative technique and in-depth insight into contemporary academia.
批评家及小说家的双重身份赋予了拜厄特独特的双重视角,使她通过对文学技巧的娴熟驾驭来表达她本人对文学研究的独到见解。
2)  Double perspective
双重视角
1.
The overlapping entering the stage provides a double perspective of intervention of the literature and art of anthropology and the anthropology of literature and art to comprehend the poetics of anthropology of literature and art completely.
文艺学和人类学的交叉出场,为完整地理解诗学的文艺人类学提供了"人类学的文艺"和"文艺的人类学"这双重视角
3)  double-angle interpretation
双重视角解读
4)  Double narrative angle
双重叙事视角
5)  father and daughter
父女双重视角
6)  double cultural perspective
双重文化视角
补充资料:全知视角

全知视角是在小说创作常用的叙述形式。一般以第三人称为主。

全知视角即叙述者处于全知全能的地位,作品中的人物、故事、场景等无不处于其主宰之下,调度之中。

说明:补充资料仅用于学习参考,请勿用于其它任何用途。
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