1) Rnam Thar Theatre
南木特戏
3) South Opera
南戏
1.
Brief Discussion on the Construction of Wenzhou South Opera Database;
《温州南戏数据库》建设刍议
2.
Remarks on the South Opera and The Notes and Commentary of 60 Melody;
从“南戏”说到《六十种曲评注》
4) Southern opera
南戏
1.
The Valuable Inheritance of the Southern Opera in the Song and Yuan Dynasties: A Textual Research on Wang Kui,Liu Xi,Chen Guangrui of Puxian Opera;
宋元南戏的珍贵遗存——莆仙戏《王魁》、《刘锡》、《陈光蕊》考述
2.
Southern opera was spread around Chaozhou as early as the late Yuan Dynasty and the early Ming Dynasty.
元末明初南戏在潮汕的活动已蔚然可观。
3.
It has evolved gradually into the opera music by inheriting the tradition of the southern opera,absorbing the local folk music,and mixing itself with the Taoist music.
松阳高腔是继承南戏的传统、吸收并融化了当地的民间音乐并揉合了道教音乐而逐渐衍变为戏曲音乐的。
5) nanxi
南戏
1.
Textual Research on Nanxi s Original Meaning and Cradleland;
“南戏”本义与发源地考
2.
Kunju opera is handed down from nanxi and developed on the basis of haiyan tone.
昆剧是南戏的嫡传,是在海盐腔的基础上发展起来的,它在昆山诞生后不久即传入浙江,并得到了迅速的发展,究其原因,即昆剧与海盐腔有一定的血缘关系,浙江又有它生存发展所需的非常良好的土壤、水分与空气。
3.
This paper studies the history of how the Ming people used Chuanqi to refer to the Nanxi dramas by literati.
南戏发展到明代,出现了创作上的分化———重伎艺性的民间南戏和重文学性的文人南戏。
6) southern dramas
南戏
1.
the transformation of drama systems in Ming dynasty may be said to begin with southern dramas’ change into legends and end with the legends’ change into Kunqu opera.
明代戏曲体制的演变,如果说是从南戏传奇化揭开序幕的话,则标志着这种演变最终完成的便是传奇昆曲化。
2.
Among the southern dramas, Gaoming s Tale of the Pipa and the "four romances" can be regarded as representative works.
南戏的代表作品有高明的《琵琶记》和"四大传奇",其中反映出女性自我意识严重缺失,具体表现为:作品塑造了女性的依附人格,主张应为男性做自我牺牲;女性缺乏自我抗争精神,面对磨难选择了逆来顺受的人生态度;还表现为恪守封建妇德与女性"话语权"的失语。
补充资料：南梁戏题汉高庙
【诗文】：
数载从军似武夫，今随戎捷气偏粗。
汉皇若问何为者，免道高阳旧酒徒。
【注释】：
【出处】：
全唐诗：卷672-23
数载从军似武夫，今随戎捷气偏粗。
汉皇若问何为者，免道高阳旧酒徒。
【注释】：
【出处】：
全唐诗：卷672-23
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条