1) situation in the calligraphic circles of the late Qinn Dynasty
晚清书坛现状
2) poem altar in late Qing Dynasty
晚清诗坛
3) the circle of ci in the late Qing Dynasty
晚清词坛
1.
Xiang Hongzuo was an important poet in the circle of ci in the late Qing Dynasty.
项鸿祚是晚清词坛名家,学界对其词赞誉甚多,但论述多停留在"情真"、"感人"的层面上,对其词风的生成、特征及在词史上的地位认识不足。
4) the academy of later Qing Dynasty
晚清书院
1.
Under the double influences of social change and the increasing decline of the academy system, the academy of later Qing Dynasty completed its modern transformation by three interwoven processes,.
晚清书院的嬗变即充分展现了这一历史理性。
6) Book Companies of Shanghai
晚清上海书局
1.
The Commercial Operation and the Changes of the Novels' Engraving Form in the Late Ming and Late Qing Dynasty——A Survey Centered in Publishing Houses of Jianyang and Book Companies of Shanghai
晚明、晚清商业运作与小说刊印形态之变迁——以晚明建阳书坊和晚清上海书局为中心
补充资料：《晚清四十家诗钞》
近代诗总集。编者吴闿生。《诗钞》收吴汝纶以下41家，录诗 600余首，其中包括日本友人的诗作，分成3 卷，1924年由北平文学社刊行。编录原则"以师友源澜为主"（自序），如编者认为能得吴汝纶诗传的范当世，即钞其诗100多首,近全书六分之一。不属桐城师承关系而入选的当代名流，也都是作诗不背宗尚李白、杜甫、苏轼、黄庭坚之旨者。编者又"精加评点，分别涂径"（曾克端序），实为一种流派的选本，当时诗风新旧交替，吴闿生认为"异说纷腾，李杜苏黄之学将绝于天下"，想编此集以维持桐城之绪于不坠。故可从中窥见一派诗的面目。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条