1.
Keeping Distance from the Chu Style:The Significance of the Chacun Style and Its Influence in the Late-Ming and Early-Qing Dynasties' Poetic Circles
“不染楚风”——茶村体之于晚明清初诗坛的意义及对清中期诗坛的影响
2.
Two Wangs Poets and the Literary Transformation In the Later Period of Ming Dynasty and Early Period of Qing Dynasty;
太仓两王氏诗人与晚明清初的诗坛流风
3.
Qi,Chu and Wu--Three Schools of Poetry in Late Ming and Early Qing Dynasties
齐气、楚风与吴习——明清之际的诗坛格局及清初诗坛走向
4.
Cultural Background and Mentality Formation of Poetic Circles in Zhongzhou from the Late Ming Dynasty to the Early Qing Dynasty
明末清初中州诗坛的文化背景与心态构成
5.
Overlook from Huangtai at night,birds fly in the sky--Discuss the landscape poetry of Shen Han-kuang,the Heshuo adherent poet in the late Ming Dynasty and the early Manchu Dynasty;
荒台凭晚眺 天空塞鸟长——论明末清初河朔遗民诗人申涵光的山水诗
6.
The Main Distinguishing Characteristic of Qing Era Female Poets--Focused on the Period from the Beginning of the Qing Era to the Daoguang-Xianfeng Period;
清代女性诗人群的总体特征——以清初至道咸诗坛为中心
7.
Poetic-featured Social in Qinhuai Region during the Late Ming and the Early Qing Dynasties;
明末清初秦淮诗妓与文人之“诗交”
8.
Historical context: basis for understanding ---Preface to “On Zhuo Er-kan and ‘Yimin Poetry ”;
神游冥想 理解同情——《清初诗坛:卓尔堪与〈遗民诗〉研究》序
9.
A Study on the Consistence of the Late Ming Dynasty、the Late Qing Dynasty and Wu Si s Poetry Theory Reforms;
晚明、晚清与“五四”诗论变革一致性之考察
10.
CHEN Weisong, whose family clan was closely related to the politics in Late Ming Dynasty, was a famous poet and parallel prose writer in early Qing Dynasty.
陈维崧是清初著名的诗人和骈文家。 他的家族 ,与晚明的政治关系极其密切。
11.
About the Poem of Water and Mountain Written by Fu Shan;
论明末清初晋中遗民诗人傅山的山水诗
12.
The Significance of Reform in Song Zhiwen s Poems in the Poetry Circles at the Beginning of Tang Dynasty;
宋之问诗歌在初唐诗坛上的创新意义
13.
To See the Rural Society of Late-Ming and Early-Qing from Ying Xing Diary;
从《应星日记》看晚明清初的徽州乡土社会
14.
Du Fu's Poetry and its Place of Origin Researchers Study the Overall Characteristics between Late Ming Dynasty and Early Qing Dynasty
明末清初杜诗学者占籍考述及其群体特质探询
15.
ON MA DAI’S FRONTIER POEMS;
晚唐边塞诗坛的盛唐余响——论马戴边塞诗
16.
Self-Awareness of the Modern Verse:the Historical Significance of the Late Qing “Verse of the New Learning”;
新诗自觉:晚清“新学诗”的诗史意义
17.
The coexistence and interaction of the Changzhou School and Zhexi School of poetry in late Qing Dynasty;
论晚清词坛“常”、“浙”两派的共存与交融
18.
On the Pioneering Functions of “Chun Jiang Hua Yue Ye” in the Poetic Field in the First Period of Tang Dynasty;
论《春江花月夜》在初唐诗坛的开拓之功