1) fusion of potry and drawing
诗画融通
2) the musing of poem and drawing
诗画融合
1.
Also the musing of poem and drawing in ancient china was related to it to some extent.
本文以陶渊明、王维的山水诗为例,从美学角度分析了初期山水诗及王维山水诗当中的道气与禅味,并分析了中国语境中诗画融合的问题。
3) integrity between poem and painting
诗画交融
1.
The socalled "natureappearing" by Zen, and the thought of Taoist School, being represented by ZHUANG Zi, pursue the integrity of "human and nature" in the manner of the appreciation of the beautiful, this is the philosophical basis of the integrity between poem and painting.
禅宗的所谓"见性"以及以庄子为代表的道家思想以审美的态度追求的天人合一与儒道之互补,这便是诗画交融的哲学根基。
5) the union of calligraphy and painting
书画通融
6) theory of poem and drawing in concert
诗画相通说
补充资料：点绛唇 墨本水仙 读画斋丛书本元草堂诗
【诗文】：
缟袂啼香，为谁一滴春心碎。淡黄深翠。不似当时态。东洛缁尘，依旧交情耐。空憔悴。玉人何在。细雨疏烟外。
【注释】：
【出处】：
缟袂啼香，为谁一滴春心碎。淡黄深翠。不似当时态。东洛缁尘，依旧交情耐。空憔悴。玉人何在。细雨疏烟外。
【注释】：
【出处】：
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条