2) poem and drawing
诗歌与绘画
3) drawing
[英]['drɔ:ɪŋ] [美]['drɔ·ɪŋ]
绘画
1.
Comment on culture origin and the difference being hit by the west drawing form;
论文化根源与中西方绘画形式的差异性
2.
Simply analyse painting drawing language at present in china;
当代我国油画绘画语言浅析
4) painting
[英]['peɪntɪŋ] [美]['pentɪŋ]
绘画
1.
Thinking from examination of ancient Chinese painting to discovering of NO——for medicine scientific researching idea;
从中国古代绘画考试想到一氧化氮(NO)的发现——对医学科研思路的认识
2.
Sheer Spiritual Creation——Study on Le Corbusier s Architecture and Painting together with Sculpture;
精神的纯创造——勒·柯布西耶的建筑与绘画和雕塑探讨
5) paintings
[英]['peintiŋ] [美]['pentɪŋ]
绘画
1.
Calligraphy and paintings,originating from ancient China,have kept vigorous life all the time.
书法与绘画是中国古代艺术门类中两种极为重要的艺术形式,其强劲的生命力与影响力延续至今。
2.
There are colours of phenomenology in Paul Saishang s paintings,surpassing the phenomenal painters.
他侧重面和物的实际形状,想还原他所见之物,重要的是塞尚绘画思想的根基是一种统觉,一种在整体上对物体次序在画面上的安排。
3.
Although poems, calligraphy, and paintings have different artistic manifestations, they are all carriers of the authors’ inner feelings.
虽然诗词、书法和绘画的艺术表现形式不同,但都是作者抒发内心情感的载体。
6) poetry and painting
诗画
1.
This paper discussed the profound influence of Chinese poetry and painting on Chinese Penjing in the formation and development of its national style and pointed out that the Chinese Penjing is consistent with Chinese poetry and painting in the consciousness of space, painting is its shape and poetry is its soul, the fusion of poetry, painting and Penjing are the path to develop Chinese Penjin
探讨了在中国盆景民族风格的形成与发展中 ,中国诗画对它的深刻影响。
补充资料：《郁达夫诗词笺注》
郁达夫诗词笺注 作者：詹亚园 笺注 出版者：上海古籍出版社
内容简介：
在中国现代文学史的读本中，郁达夫通常是作为小说名家被介绍给读者的，然而其旧体诗词情韵跌宕，才思恣意，艺术成就并不在小说之下。郭沫若评价郁氏的文学成就说：“其旧诗词比他的新小说更好。”刘海粟评价说：“诗词第一，散文第二，小说第三，评论文章第四。”本书收郁达夫旧体诗词近500首，以写作时间先后为序，对郁氏诗词作了全面的笺注。每首诗前有题解，说明该诗的写作时地及创作背景；对诗中史实、典故、人名、地名等，校勘认真，笺注详尽；书后附郁达夫所作断句、联句、题词等，以示其诗歌创作全貌。全书资料丰富，体例清晰，不仅便于读者欣赏、理解原作，也为研究郁达夫诗作就提供了较好的版本。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条