1) Occasional Notes with Leisure Motions (room part)
《闲情偶寄·居室部》
1.
Reel as Hill,Spoon as Pond:Talking about Liyu and Occasional Notes with Leisure Motions (room part);
一卷代山,一勺代水——谈李渔与《闲情偶寄·居室部》
2) Xian Qing Ou Ji
《闲情偶寄》
1.
On Narrative Theory of Chinese Drama in Xian Qing Ou Ji;
浅析《闲情偶寄》中的戏曲叙事理论
2.
Examination of Xian Qing Ou Ji Publication Time;
《闲情偶寄》成书时间考辨
3.
His opera theory is mainly collected in the On Poems and Verses and On Performance and in part of On Vocal and Facial from Xian Qing Ou Ji,as well as some can be seen in his poems or rhapsody or articles or rhymed verses, Kui Ci Guan Jian for example.
李渔是我国明末清初杰出的戏曲理论家,他的戏曲理论主要集中在《闲情偶寄》的《词曲部》、《演习部》以及《声容部》中,也有少数戏曲理论散见于其诗文词赋中。
3) Xian Qing Ou Ji
闲情偶寄
1.
Ease and Idle Feeling in Life:Research on Design Thinking in Xian Qing Ou Ji
生活的逸致与闲情:《闲情偶寄》设计思想研究
4) xian qing ouji
偶情偶寄
5) appreciating leisure
寄闲
1.
His three creating psycologies,appreciating leisure and showing off his elegance and talent,were.
他的三种创作心态——寄闲、志雅、逞才,是他创作的驱动力,也是制约他成就的深层原因。
补充资料：一家言居室器玩部
一家言居室器玩部 清李渔著。李渔，字笠鸿、谪凡，号笠翁，浙江兰溪人，清代戏曲理论家、作家，对营造及园艺也很有研究。此书于房舍构筑，窗栏图式及构式，墙、壁、联匮、山石及几椅、床帐、橱柜、箱笼、茶酒具、灯烛、笺简等制作，记述颇详。卷首有近人阚铎《识语》一篇。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条