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1)  Taiji "qi and rhyme"
太极"气韵"
1.
Taiji "qi and rhyme" have internal connections with Korean dance culture and its modes of rhythm, which indicates that their outlooks on religion and cult.
太极“气韵”与朝鲜舞蹈文化及其律动方式有着深刻的内在联系 ,主要表现在 :宗教文化观相通 ,“气韵”观相同 ,韵律方法相近。
2)  the primordial Qi of Taiji
太极元气
1.
Basing upon these records, this paper makes a tentative research on their thought of Yi , raising that their sayings of that "the Yi is the origin of the Five Classics", "the Yi was composed through three sages", the saying of "the primordial Qi of Taiji ", and t.
本文据此对刘氏父子的易说作了初步探讨,认为他们所提出的"《易》为五经之原"、"人更三圣"说、"太极元气"说、"河图洛书"说,在易学史上都占有重要地位,产生了深刻影响,是一份值得发掘的文化资源。
3)  Taiji Qigong
太极气功
4)  Qigong/Tai Chi practice
气功/太极
1.
The goal of our laboratory and the International Alliance for Mind-Body Signaling and Energy Research is to utilize the latest biomedical technologies to gain a better understanding of the beneficial effects of Qigong/Tai Chi practice.
本实验室与国际联合对精神-躯体信号以及能量研究的目的在于运用最先进的生物医学技术,以更好地认识气功/太极的有益效应。
5)  spirit [英]['spɪrɪt]  [美]['spɪrɪt]
气韵
1.
This paper discusses the line drawing art in traditional Chinese painting from two aspects: lively spirit and personality training, so as to reunderstand the essence of traditional aesthetic perspective.
本文从中国画线描艺术美学观的核心命题———气韵生动和中国画线描艺术美学观的实质———人格修养来解析中国画线描艺术,让我们重新认识传统美学观之精髓,并借古开今,推陈出新。
2.
It advises that mountains - and - waters painting should express Tao and the lifelike spirit of nature.
“画见大象,不为斩刻之形”是郭熙对山水画创作提出的一个美学命题,它要求山水画“体道”,表现自然对象全幅生动的气韵,强调形神兼备,创造意境,技法上要求笔墨浑融,虚实结合,从而表现大自然的生命精神,创造山水画的美。
3.
In drawing theories of all previous dynasties,traditional Chinese painting concerning spirit has drawn a considerable discussion.
在历代绘画理论中,对中国画"气韵"的论述颇多。
6)  style [英][staɪl]  [美][staɪl]
气韵
1.
The disposition of heart and soul mentioned in Zhouyi constantly accommodates with Chinese Calligraphy which possesses a natural homomorphism,namely,going all lengths at full length with circumference and coherence in a unified entity which embodies the beauty of style in circulating veins of interlocks.
中国书法用笔的无垂不缩、无往不收 ,笔势的一笔环转、血脉相属 ,结字的上皆覆下、下以承上等 ,无不体现出气韵流转、血脉相连的圆通之美。
补充资料:气韵
气韵

    中国传统绘画理论的审美范畴之一。指作品中蕴含的生机、气势和意蕴。最先用于品评人的精神气质,继而转用于文论,南朝齐谢赫提出六法论,将“气韵生动”列为第一法,由此成为中国传统绘画创作与批评的重要原则与标准。历史上对气韵的理解观点各异,如清代邹一桂等认为气韵非预想目的的达成及仅以笔墨效果所能制造的,而是作品完成后自然的艺术效果;一种认为气韵来自运调笔墨和客观物象的生动描绘;还有一种将其等同于风格。该概念的复杂性导致上述分歧。气韵实际包括3个方面 :客观世界的描绘、主观精神的表现和富有个性的艺术语言的运用。它是由感物、应心直到传达创作全过程完成后所达到的审美境界。整个创作过程,既是对审美客体的本质美的把握与发掘,亦是作为创作主体的艺术家思想感情和创作心态的表现与升华,并借助笔触的气势韵味、水墨的畅快淋漓、物象的开合俯仰、虚实变化,以及富于感情色彩的艺术语言表达出情与理、形与神、物与我高度契合相融的诗意的空间。
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