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1)  k-end rusheng
k-尾入声
2)  Rusheng rhyme final
入声韵尾
1.
The evolvement of Yangsheng rhyme final (Yangsheng rhyme is closed syllables ending innasals, YRF) such as [-m, -n, -η] and Rusheng rhyme final (Rusheng rhyme is closed syllablesending in stops, RRF) such as [-p, -t, -k], especially the latter one, showes many peticuliarcharacteristics of South dialects.
南昌方言作为赣语的代表,语音方面独具特色,在阳声韵尾(-m,-n,-(?))和入声韵尾(-p,-t,-k)演变方面体现了大量南方方言的的特点,尤其是入声韵尾的演变。
3)  hypersonic reentry wake
高超声速再入尾迹
4)  epilogue [英]['epɪlɔɡ]  [美]['ɛpə'lɔg]
尾声
1.
As the terminology of QuTheory,epilogue is not in the category of traditional drama as defined in the Great Chinese Dictionary.
作为曲学名词的“尾声” ,并非如《汉语大词典》等辞书所定义的那样仅限于戏曲范畴 ,也不存在“分为若干段”的尾声。
2.
The prologue and epilogue of Lei Yu is overlooked due to the influence of traditional cultural psychology and practical literary ideas, of which the drama ideas, religious consciousness and aesthetic intention are to be explored and explained.
《雷雨》的序幕和尾声由于传统文化心理和现实文学观念的影响,向来不受重视。
5)  Kocher_Langenbeck approach
K-L入路
6)  entering-tone
入声
1.
In fact the entering-tone had vanished in the times of Wu-fang Yuan-yin in the large northern area.
《五方元音》一书存有入声,这是一种假象,是为了迁就传统韵书的需要,是折中的产物,其实《五方元音》时代的广大北方地区入声已经普遍消失。
2.
There are 12 rhyme categories, 19 initial consonants in fact, and 5 tones apparently with entering-tone disappearing as the matter of fact in Wu Fang Yuan Yin.
书中韵分十二部,声母实际有十九类,声调表面有五,实际入声已经消失。
补充资料:入声
古汉语四声之一。普通话没有入声,有些方言有入声。入声字一般比较短促,有时还带有辅音韵尾。
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
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