1.
Studies on the Evolution of Nasal Rhythm End and Consonant Rhythm End of Modern Age Chinese;
近代汉语阳声韵尾和入声韵尾的演变研究
2.
Types and Evolution of the Tail Consonants of the Entering Tone of the Southern Dialects in Chinese
汉语南方方言入声韵尾的类型及其演变
3.
A Study of Rhyming in Poetry and Prose in the Liang Dynasty;
梁代诗文阳声韵入声韵用韵数理分析
4.
The Pronunciation Types of the Endings of the Middle Chinese Yangsheng Rhyme in Modern Chinese Dialects
中古阳声韵韵尾在现代汉语方言中的读音类型
5.
The Separation and Combination of Ancient Entering Tone inyinyunjicheng;
论《音韵集成》对中古入声韵的分并
6.
Classical Chinese poetries, which strive to have harmonious tonal patterns, cadences/ intonations and neat antithesis, has endrhyme, double-tone, vowel-rhyme etc.
中国的诗词力求平仄协调、扬顿挫、仗工整，有尾韵、声、韵等。
7.
On Development of Syllables and Tunes of Ru Sheng;
论入声韵音节声调的演变——《入声论》之十三
8.
The Nasal Ending Change in Positive Rhyme in Linzhou Dialect and Its Chain Reaction;
林州方言阳声韵鼻尾消变及其连动作用
9.
Entering Tone Character of Broad Rhyme Reflected in Liaocheng Dialect;
《广韵》的入声字在聊城方言中的变化
10.
The True Nature of Entering Tone as the Third Tone;
论《中州音韵》“入作三声”之实质
11.
On the Use of Tones and Rhymes in New and Ancient Poetry--Poetic rhyme reform(C);
九道辙无入声,便利吟诗人——诗韵改革C
12.
Analysis of the Representing View of "No Entering Tone" in Central China Phonology;
《中原音韵》无入声说代表观点论析
13.
A Research on the Entering Tone with [i] Glide in Southwest Mandarin of the Northern Hubei Province;
西南官话鄂北片入声韵带i介音现象探析
14.
NO ENTERING TONES EXIST IN ZHONGYUANYINYUN;
《中原音韵》无入声证——兼与金欣欣先生商榷
15.
On the Nature of "Entering Tone Redistributed among the Other Three Tones" in The Initial, Final and Tone of a Character in Zhongyuan Chinese Speech;
《中原音韵》“入派三声”性质辨析──从“剧”字音说起
16.
A passage at the end of a movement or composition that brings it to a formal close.
尾声乐章或乐曲结尾的一段，将乐曲带入一正式的结尾
17.
A Study on the Tone System of Yuan Yun Pu--Even Tone Feature and the Existence of Entering Tone;
论《元韵谱》声调系统的两个问题——平分阴阳和保留入声调
18.
The prosody of Beowulf is based on alliteration, not end rhymes.
《贝奥武甫》的诗体采用头韵而不用尾韵。