1) South Dominance School
南北宗
1.
He proposed the"South Dominance School",which deals with the style of landscape painting:South School is characterized by soft,light and elegant style;North School by hard,vigorous and powerful style.
董其昌是明代著名画家、理论家 ,他提出了山水画中南北宗之说。
2) theory of southern & northern sects
南北宗论
1.
Dong QiChang classified the landscape painting according to his "theory of southern & northern sects", which providedus philosophical foundation to analyze Chinese Paintings.
董其昌“南北宗论”对山水画进行分类,为我们提供了剖析绘画的哲学依据,他以禅喻画并提倡文人画,强调画家的道德修养及思想境界,对中国画的发展产生了积极的影响。
3) the combination of South and North Sect in Taigu school
南北合宗
5) schism between north and south
南北分宗
6) North and South Zen
南北禅宗
1.
With the appearance of Sanjie jiao,Huayan Zong School,North and South Zen and Esoteric School came to the end of localization of Buddhism in China.
随着三阶教、华严宗、南北禅宗、密宗的先后出现,佛教中国化的历史过程最终宣告完成。
补充资料：南北宗
1.我国佛教禅宗的两个派别。佛教禅宗自五祖弘忍之后，分为南北二宗:南宗为六祖慧能所创，主张"顿悟说"，行于南方;北宗为神秀所创，主张"渐悟说"，行于北方。故有"南能北秀"﹑"南顿北渐"之称。后世南宗大行，分为"五家七宗"。参阅《坛经．顿渐品》。 2.道教全真道的南宗和北宗。金王重阳所传者为北宗，宋张伯端所传者为南宗。 3.我国山水画自唐以后的两种流派。南宗源于王维，重渲染而少钩勒;北宗源于李思训父子，重写实而多用重彩。其说始于明董其昌，有崇南抑北倾向。见《容台别集．画旨》。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条