1) dynasty alternation from Ming to Qing
明清易代
1.
With regard to the ideological evolution of poet ry after dynasty alternation from Ming to Qing, the author believes that there w as a course starting from “poetry expresses will” as style of poems during dyn asty alternation and approaching towards “gentle and kind” as the style of poems rising in the middle period of Shunzhis reign.
关于明清易代后诗歌思想的发展演变，本文认为，有一个由易代之际的“言志”诗风向顺治中叶兴起的“温柔敦厚”诗风的趋进的过程。
2) dynastic changes of Yuan and Ming
元明易代
5) voiceless singing in Ming Dynasty
明代清曲
1.
The voiceless singing in Ming Dynasty, sometimes traced back to Yuan Dynasty, changed in part and achieved to some extent, It could be divided into too popular branches based on the music of south or north.
明代清曲在总体上成就不能与元代相比 ,但它上承元代而在局部有所发展并取得一定的业绩。
6) From Ming-Qing to Modern Times
明清至近代
补充资料：代孔明哭先主
【诗文】：
忆昔南阳顾草庐，便乘雷电捧乘舆。酌量诸夏须平取，
期刻群雄待遍锄。南面未能成帝业，西陵那忍送宫车。
九疑山下频惆怅，曾许微臣水共鱼。
【注释】：
【出处】：
全唐诗：卷643-12
忆昔南阳顾草庐，便乘雷电捧乘舆。酌量诸夏须平取，
期刻群雄待遍锄。南面未能成帝业，西陵那忍送宫车。
九疑山下频惆怅，曾许微臣水共鱼。
【注释】：
【出处】：
全唐诗：卷643-12
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条