1) Shangguan Yi
上官仪
1.
Therefore, it seems very important to make clear to the life of Shangguan Yi and the actual formation course of Shangguan Style and to reveal the rationality and advantage of the inherent trend of the poetry arts of style through wide and deeply investigation.
因此，广泛地勾稽索引，刮垢磨光，理清上官仪的生平履历，以见“上官体”生成的真实面貌；深入地辩证考订，拂尘去埃，重现以“绮错婉媚”为特征的“新变”诗风所体现的诗歌艺术演进内在趋势的合理性与先进性，就显得尤为必要。
2.
As owning the honour of the first prosody named by his name in Tang dynasty, Shangguan Yi s main contribution of monostrophe is aspectural pair and its theory.
上官仪作为唐诗史上第一个以人名体的诗人,其主要贡献在对偶及其理论方面。
3.
The most obvious one is that when discussing Shangguan Yi\'s contributions to the rhyming of new poetic styles in Tang dynasty,the book came with groundless conclusions and deductions other than data.
最为突出的是论述上官仪时却抛开统计数据,多用推论臆断建立新说,论证上官仪对唐代新体诗声律学的贡献,认为后来的重要声律理论都祖述《笔札华梁》。
2) Shɑngguɑn Yi
上官仪(约608～664)
3) Sang-kuan
上官
5) Shangguan Wan er
上官婉儿
1.
A Myth of Tang Feminist Literature——Shangguan Wan er s Court Poetry and her Position in Chinese Literary History;
唐代女权文学的神话——上官婉儿的宫廷诗歌创作及其文学史地位
2.
Shangguan Wan er was a key figure in Early Tang Dynasty.
上官婉儿是初唐武后中宗朝活跃于政坛文坛的关键人物,她出身权贵却自幼即没入宫廷为奴,她凭借自己的美貌和才情获得了武后和中宗李显的宠幸,却因陷入宫廷内斗而死于非命。
3.
Shangguan Wan er was a famous figure and presider of the literature world in the last twenty years in the early Tang Dynasty.
上官婉儿是初唐最后二十多年的一位风云人物，也是初唐诗坛最后二十年的文坛主持。
6) seriously punish high-ranking officials
严惩上官
补充资料：上官仪
| 上官仪（约608～664） 中国唐代诗人。字游韶。陕州陕县（今属河南）人。贞观进士官至宰相。因议废武后受嫉，后又因梁王李忠谋反事下狱死。他擅写五言诗，多奉和应制之作，格律工整，词藻华丽，绮错婉媚。因其位显，时人多仿效，世称上官体。他又归纳六朝以后诗歌的对偶方法，提出六对、八对之说，代表了当时宫廷诗人的形式主义倾向，但对律诗的定型有促进作用。《入朝洛堤步月》是上官体较好的代表作。而《八咏应制》则是典型的宫体诗。《全唐诗》录其诗1卷。 |
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
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