However, the key criterion used to judge the inner landscape is not the soul connotation in cultural logic, but lies in the fact that whether the act of literal narrative can internally generate particular“soul language”: 1.

A taboo word is the consequence of human beings reverence of mana.

The question to soul and body——Discuss utility solidity and comfort is the architecture s first principle;

Showing the depth of soul——on Lu Ling s artistic vision;

Travel by Soul and Light of Language——On Han Shaogong s Prose;

The immortal human spirit ——An interpretative reading of Dilsey in The Sound and the Fury;

The emphases of LI Jian-wu s literary criticism include three aspects: criticism is a kind of art;criticism is a kind of understanding;criticism is spiritual meetings in masterpieces,which have their own inner logical relationship,and totally form LI Jian-wu s viewpoints of literary criticism.

In ancient Chinese literary works,there are many tales about "spirit and body",which can be divided into two types: tales of spirit leaving body after the hero s death and tales of spirit breaking away from body while the hero is still alive.