1) spirit photography
灵魂摄影
2) psychic photography
心灵摄影术
3) soul
[英][səʊl] [美][sol]
灵魂
1.
The question to soul and body——Discuss utility solidity and comfort is the architecture s first principle;
灵魂与肉体的拷问——论建筑的“实用·坚固·愉悦”第一原理
2.
Showing the depth of soul——on Lu Ling s artistic vision;
显示灵魂的“深”——论路翎的艺术视觉
3.
Travel by Soul and Light of Language——On Han Shaogong s Prose;
灵魂之旅与语言之光——论韩少功散文
4) spirit
[英]['spɪrɪt] [美]['spɪrɪt]
灵魂
1.
The immortal human spirit ——An interpretative reading of Dilsey in The Sound and the Fury;
不朽的人的灵魂——解读《喧哗与骚动》中的迪尔西
2.
The emphases of LI Jian-wu s literary criticism include three aspects: criticism is a kind of art;criticism is a kind of understanding;criticism is spiritual meetings in masterpieces,which have their own inner logical relationship,and totally form LI Jian-wu s viewpoints of literary criticism.
李健吾的文学批评强调三个方面的要求:批评是一种艺术;批评是一种理解;批评是"灵魂在杰作间的奇遇"。
3.
In ancient Chinese literary works,there are many tales about "spirit and body",which can be divided into two types: tales of spirit leaving body after the hero s death and tales of spirit breaking away from body while the hero is still alive.
细加区分,可以将这些故事概括为两种类型:一是人死后灵魂脱体的故事;二是生魂离开活体的故事。
5) psyche
[英]['saɪki] [美]['saɪkɪ]
灵魂
1.
Nature, Psyche and Logos——Theological Thoughts of the Lonian Philosophers;
自然、灵魂与逻各斯——伊奥尼亚哲学家的神学思想
2.
The Relationship between Beauty and Psyche in The Portrait of Dorian Gray
《道连·葛雷的画像》中美与灵魂之关系
3.
Karl Jaspers is a German philosopher of theism existentialism, whose philosophy of existential education pays close attention to human psyche.
雅斯贝尔斯是德国有神论存在哲学家,他的存在主义教育哲学十分关注人的灵魂。
6) To hook soul and arrest spirit
色魂摄魄
补充资料：摄影4．直接成像彩色摄影
摄影4．直接成像彩色摄影
Photography 4. Instant Photography
化工百科全书第14卷化学工业出版社摄影4.直接成像彩色摄影shesheying摄zhijie ehengxiang eaise sheying 4.直接成像彩色摄影photography4·Instant Photography4.影赵凤玺北京电影学院1.2.2，1.2 .1.1.2 .1.2.2 .1 .3.2 .2.2 .3.2 .4.概述··········································……129原理··········································……130SX一70一步摄影彩色胶片的结构······……130负片部分··························，·········……130正片部分····································……131加工药液包·································……132彩色影像的形成···························……133波拉彩色影像成像························……134SX一70系统的照相机·····················……1343.举例·············~·······~···~·~··””····”·…1353.1.PR一10一步摄影彩色胶片··············……1353.1.1.PR一10胶片的结构，·······················……1353.1.2.PR一1。胶片的结构特点·········”·······……1363.1.3.显影过程和成色原理···················”……1363.2.波拉维申彩色电影体系···········“·“·……1373.2.1.波拉维申胶片的特点·····················……1383.2.2.波拉维申胶片的成色原理”···········””·…138基本参考文献··········································……1391.概述 胶片曝光后，不需进暗室冲洗印制，可立即获得彩色正像的彩色摄影过程称为“直接成像彩色摄影”，俗称“一步摄影”。它是利用扩散一转移的反转法原理获得影像的。 一步彩色摄影是在专门的照相机或摄影机内完成的。加工药品作为胶片单元的一个部分组合在一起，胶片曝光后，粘稠的加工药品立即被照相机的机械运动从药包中挤出而进入胶片层，其后的加工过程以一个单独的步骤，在胶片内密闭的条件下快速地进行。胶片被逐出相机后，一般可在几分钟内得到质量令人满意的彩色正像。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条