1) writing for entertainment
以文为戏
1.
On the contrary, "writing for entertainment" can better embody his literature s particularity HanYu s "telling morality" did little creation to the theory field while his expounding on "writing for entertainment" has played an important role in the history of Chinese literature criticism.
与此相反 ,“以文为戏”更能体现韩愈文学创作的独特性。
2) opera first
以戏为本
3) choice of business-oriented literary creation
以文为商
4) text as basis
以文为本
1.
In the contemporary era, the research on writing theory can be divided into three discourse systems in China, which are related but different: The first system takes text as basis,the second takes the writer as basis,and third takes writing as a composition which is both dynamic and static, both three—dimensional and open.
当代中国的写作理论研究大致可以判定为三种有联系更有区别的话语体系:第一种是以文为本,第二种是以人为本,第三种是把写作作为一个动静结合、立体开放的"合构"系统来研究的话语体系,它们能使人看到写作学科研究内容不断丰富深化、研究方法日臻科学完善的发展历程。
6) Poems in Proses
以文为诗
1.
Metaphors in Lines,Poems in Proses-Appreciation of SuShi s "You mei t ang Storm;
妙喻连生,以文为诗——读苏轼《有美堂暴雨》
补充资料：奉和翁文尧戏寄
【诗文】：
掘兰宫里数名郎，好是乘轺出帝乡。
两度还家还未有，别论光彩向冠裳。
【注释】：
【出处】：
全唐诗：卷706-52
掘兰宫里数名郎，好是乘轺出帝乡。
两度还家还未有，别论光彩向冠裳。
【注释】：
【出处】：
全唐诗：卷706-52
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条