1) script-based approach to opera studies
以戏证戏
1.
This emphasis on the documentation value of opera scripts,known as the "script-based approach to opera studies",used to be a method adopted consciously by earlier scholars,and is worth using for reference by today\'s researchers.
重视戏曲剧本文献价值的研究方法叫"以戏证戏",是学界前辈自觉运用的方法,值得今天的研究者借鉴。
2) writing for entertainment
以文为戏
1.
On the contrary, "writing for entertainment" can better embody his literature s particularity HanYu s "telling morality" did little creation to the theory field while his expounding on "writing for entertainment" has played an important role in the history of Chinese literature criticism.
与此相反 ,“以文为戏”更能体现韩愈文学创作的独特性。
3) opera first
以戏为本
4) Xi
戏
1.
Xi-The secret recipe prevailing during Qinhan period;
戏——流行于秦汉时期的方术
2.
The System of Form and Meaning of Chinese Character XI and JU and Aesthetics Structure of China s Play;
汉字“戏”、“剧”的形义系统和戏剧文体的美学建构
5) New Research of Nan Drama
《南戏新证》
1.
In his New Research of Nan Drama,LIU Nianzi,based on Jin Drama of Zhangzhou,poetry of LIU Kezhuang,Rhyme and Rhythm of Zhongyuan,stories of CAI Zhonglang and the old dramas left in Fujian Province,claimed that Nan Drama was not created in Wenzhou.
刘念兹在《南戏新证》一书中,从漳州禁戏、刘克庄诗词、《中原音韵》、蔡中郎故事和福建传存古老剧目五个方面立论,提出南戏并非首先产生于温州。
6) The drama was to end in a comedy.
戏最后以喜剧收
补充资料：奉和翁文尧戏寄
【诗文】：
掘兰宫里数名郎，好是乘轺出帝乡。
两度还家还未有，别论光彩向冠裳。
【注释】：
【出处】：
全唐诗：卷706-52
掘兰宫里数名郎，好是乘轺出帝乡。
两度还家还未有，别论光彩向冠裳。
【注释】：
【出处】：
全唐诗：卷706-52
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条