1) primeval culture of music and dance
上古乐舞文化
1.
This paper makes further textual criticism and hermeneutics of Dawu in its source materials and their application,the author,the music operation,its relationship with poetry,and the appearance of the dance,which hopefully,will benefit posterity in their correcting understanding of Dawu and the primeval culture of music and dance.
本文对《大武》乐的本事及应用、作者、用乐情况、与诗之关系、舞容等作了进一步的考释,有助于后人准确地了解《大武》乐乃至上古乐舞文化。
2) ancient musical dance
古乐舞
1.
From which age it has been reserved actually and what original relation existed with Central Plains culture?The article surveys the original relation between Quanzhou s folk"Picking Lotus Dance"and ancient musical dance from the documents of musical tone,Palace Dances,and properties with flags and boards of successive dynasties since Han Dynaty s Musical Library.
但究竟这样独特的民间舞是从什么年代留传至今,又与中原文化存在什么样的渊源呢?本文试图从汉代乐府以来历代乐律、宫廷舞蹈、旗牌道具等文献资料去探寻泉州民间舞"采莲"与中原古乐舞的渊源关系。
3) music and dance in remote antiquity
远古乐舞
6) Guqin musical culture
古琴音乐文化
1.
The author s motive in writing this essay is, on the one hand, I wants to get some idea of Guqin musical culture; on the other hand, I tries to explore whether modern musical education can get some enlightenment from it.
本文写作的动机来源于两个方面:一方面是来源于想认识与了解古琴音乐文化的想法;另一方面是来源于对古琴音乐文化是否对现代音乐教育具有借鉴价值的思考。
补充资料：上古之什补亡训传十三章·上古一章
【诗文】：
（上古，愍农也。）
遐哉上古，生弃与柱。句龙是生，乃有甫田。惟彼甫田，
有万斯年。开利之源。无乃塞源。一廛亦官，百廛亦官，
啬夫孔艰。浸兮暵兮，申有螽兮。惟馨祀是患，
岂止馁与寒。啬夫咨咨，禾秀盛苗衰。耕之耰之，
袯襫锄犁，手胼足胝。水之蛭螾，吮喋我肌。
我姑自思，胡不奋飞。东人利百，西人利百。有匪我心，
胡为不易。河水活活，万人逐末。俾尔之愉悦兮。
【注释】：
【出处】：
全唐诗：卷264_2
（上古，愍农也。）
遐哉上古，生弃与柱。句龙是生，乃有甫田。惟彼甫田，
有万斯年。开利之源。无乃塞源。一廛亦官，百廛亦官，
啬夫孔艰。浸兮暵兮，申有螽兮。惟馨祀是患，
岂止馁与寒。啬夫咨咨，禾秀盛苗衰。耕之耰之，
袯襫锄犁，手胼足胝。水之蛭螾，吮喋我肌。
我姑自思，胡不奋飞。东人利百，西人利百。有匪我心，
胡为不易。河水活活，万人逐末。俾尔之愉悦兮。
【注释】：
【出处】：
全唐诗：卷264_2
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条