The article discussed some issue of the music relationship between China and West such as total Westernized, cultural ferment between China and West, intention of returning the past fashion, nationality and era, musical culture choice, and musical education.

The triple visual angles that the research of the Chinese and Western aesthetic history of music in contemporary China inevitably touches upon are as follows: one is the independent research that takes itself as the object of the work,discussing the aesthetic proposition,the aesthetic category that arises from its own cultural ambience,etc.