Since then,the Tuanshan which can make people feel cool becomes a symbol of sadness and disfavor.

The tragic writings in ancient Uyghur literature draw their materials partly directly from historic events and real persons and happenings in everyday life and partly from folk stories and legends.

This paper claims that the composition of frontier poems is not only the result of the prevalence of the parodies of yuefu of the Southern Dynasty, but more of those poets quest for new aesthetic targets and poetic carriers, their pursuit of new aesthetic ideals, their returning to and expression of the lamentable sentiment of literature, as well as their psychological complex disclosin.